Organization

Singer

Miljenko Đuran

Ero the Joker

Ivica Čikeš

Marko

Terezija Kusanović

Doma

Valentina Fijačko

Đula

Ljubomir Puškarić

Sima

Tea Požgaj

Čobanče

Conductor

Hari Zlodre

Stage director

Krešimir Dolenčić

Set designer

Dinka Jeričević

Costume designer

Danica Dedijer

Choreographer

Lucijano Perić

Chorus master

Ana Šabašov

Lighting designer

Zoran Mihanović

Kristina Anđelka Đopar

Božena Svalina

HNK Split

Others

Riječki operni zbor

Orchestra

Croatian National Theatre Ivan Zajc Opera Orchestra

Split

Croatia

Ero the Joker Gotovac

Public

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Chorus Director

Composer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Sound designer

Stage Manager

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Baritone

Mezzo-soprano

Countertenor

Bass-baritone

Tenor

Soprano

Contralto

Bass

Alto

Child vocalist

Continuo

Silent

Spoken

The act that Mićo, a rich peasant, changes and pretends to have fallen from the sky, from the other world in order to test nature and devotion of the girl he loves, develops into a whole set of comic situations and plots. A fresh and live stage life pulsates in the opera. People with human virtues and faults live there. This opera is full of beautiful folk songs that Gotovac incorporated in his work with a skill of a great artist. Gotovac and Begović, the libretto writer, found the basis for the opera's music and text in the folklore of many South Slavic groups, ranging from Dalmatian folklore (the final “Vrlik aKolo” dance) to Kosovo female songs from Gnjilane (opening female chorus “Duni mi, duni, lađane”). Deprived of pathos, full of sparkling satire this opera ranks among the best works of Slavic opera literature.

English

Ero the Joker by Gotovac, la 05 marras 2016, Alkaen (2016/2017), Ohjannut Krešimir Dolenčić,, Musiikinjohto Hari Zlodre, HNK, Split, Croatia

Esityksen ansiot (Näyttelijät & Tuotantotiimi )

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