Organization

Dirigat

Ivan Repušić

Regie

Krešimir Dolenčić

Bühnenbild

Dinka Jeričević

Kostümbild

Ana Savić Gecan

Lichtgestaltung

Deni Šesnić

Videogestaltung

Choreographie

Snjezana Abramović Milković

Chordirektion

Ana Šabašov

Tenor

Peter Berger

Faust

Bass

Ondrej Mráz

Mefisto

Ivica Čikeš

Bariton

Kiril Manolov

Valentin

Alen Ruško

Božo Župić

Wagner

Mate Akrap

Sopran

Valentina Fijačko

Margarethe

Božena Svalina

Mezzosopran

Terezija Kusanović

Siébel

Helena Lucić Šego

Žana Marendić Bučević

Martha Schwertlein

Maria Bogaverdes

Marica Kolega

Sänger

Dario Tvrdić

Faust's Assistant

HNK Split

Split

Kroatien

Faust Gounod

Public

Genehmigt

Instrumentalist

Klavier

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Bassist

Accordionist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da Gambist

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Komposition

Libretto

Tänzer

Schauspiel

Dramaturgie

Übersetzung

Tongestaltung

Korrepetition

Maske

Leitender Produzent

Haar

Andere

Stage Manager

Chor

Orchester

Poet

GesangslehrerIn

Lehrer

Photographer

Rundfunk

Illustrator

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Extra

Singer

Countertenor

Bass-Bariton

Gesprochen

Kinderstimme

Leise

Alto

Continuo

Charles Gounod (1818-1895) is one of the most prominent representatives of French romantic opera. His vocation as a choirmaster and composer of numerous works for choirs meant that in addition to melodiously shaped solo parts, we also find impressive choral scenes in his stage works. But it is even more significant that Gounod freed French opera of the time from Italian and German influences, and created a work of a new genre, between grand and comic opera. In Gounod's Faust, the dramatic plot is much more connected to music than was the case in the prevailing tradition at the time, so there is certainly no more primal forerunner to the musical revival of France in the late 19th century than Gounod.
Without intending to convey the philosophical essence of Goethe's work, which had already been often set to music, Gounod in his opera dominantly dwells on the episode that thematizes the love of Faust and Margarete, and gives the main characters a musical rather than a psychological profile. Therefore, the strength of Gounod's Faust is not so much contained in the dramatic density that rises to the tragic, as in the originality of the melodic inspiration, the sensuality of the cantilena, the finesse of thematic invention, the subtlety of the orchestration, and the mastery of the compositional technique full of elegant modulations and bright harmonies.

English

Charles Gounod (1818.-1895.) jedan je od najistaknutijih predstavnika francuske romantičke opere. Njegova vokacija zborovođe i skladatelja brojnih djela za zborove učinila je da osim melodiozno oblikovanih solističkih dionica u njegovim scenskim djelima nalazimo i impresivne zborske prizore. No, još je značajnije da je Gounod tadašnju francusku operu oslobodio talijanskih i njemačkih utjecaja, te stvorio djelo novog žanra, između velike i komične opere. U Gounodovu Faustu dramska radnja je mnogo više povezana s glazbom nego što je to bio slučaj u tada prevladavajućoj tradiciji, tako da za glazbeni preporod Francuske u kasnom 19. stoljeću zacijelo nema iskonskijeg preteče od Gounoda.
Bez nakane da iznosi filozofsku bit Goetheova djela, koje je do tada već često uglazbljivano, Gounod se u svojoj operi dominantno zadržava na epizodi koja tematizira ljubav Fausta i Margarete, a glavnim likovima daje više glazbeni negoli psihološki profil. Stoga snaga Gounodova Fausta nije toliko sadržana u dramskoj zgusnutosti koja se penje do tragičnog, koliko u izvornosti melodijskog nadahnuća, čulnosti kantilene, finoći tematske invencije, suptilnosti orkestracije te majstorstvu skladateljske tehnike prepune elegantnih moduliranja i svijetlih harmonija.

hrvatski

Faust by Gounod, Di. 19 Feb. 2008, Ab (2008/2008), Unter der Regie von Krešimir Dolenčić,, Dirigat Ivan Repušić, HNK, Split, Kroatien

Aufführungskredite (Besetzung & Produktionsteam )

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Produktionsteam

Programm, Info & Synopsis

Fotos

Weiterführende Literatur

Aufführungstermine & Spielstätten

Veranstaltungsorte