Name: Faust
Start: 2016-08-14T00:00:00.000Z
End: 2016-08-29T00:00:00.000Z
Location: Großes Festspielhaus

Admin

Organization

Sänger

Tenor

Piotr Beczała

Faust

Bass

Ildar Abdrazakov

Mefisto

Sopran

Maria Agresta

Margarethe

Bariton

Alexey Markov

Valentin

Mezzosopran

Tara Erraught

Siébel

Paolo Rumetz

Wagner

Marie-Ange Todorovitch

Martha Schwertlein

Dirigat

Alejo Pérez

Regie

Reinhard von der Thannen

Kostümbild

Bühnenbild

Alexander Fahima

Chordirektion

Walter Zeh

Choreographie

Giorgio Madia

Lichtgestaltung

Franck Evin

Salzburger Festspiele

Orchestra

Wiener Philharmoniker

Others

Philharmonia Choir Vienna

Französisch

Salzburg

Österreich

Großes Festspielhaus

Faust Gounod

Public

Deutsch

Englisch

Genehmigt

Accordionist

Instrument

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Andere

Chor

Chorus Director

Dramaturgie

Extra

GesangslehrerIn

Haar

Illustrator

Komposition

Korrepetition

Lehrer

Leitender Produzent

Libretto

Maske

Orchester

Orchestra Operations

Photographer

Poet

Rundfunk

Schauspiel

Stage Manager

Tongestaltung

Tänzer

Videogestaltung

Wig & Makeup Designer

Writer

Writing and performance

Übersetzung

Countertenor

Bass-Bariton

Alto

Continuo

Kinderstimme

Sprechrolle

Stumme Rolle

A cosmopolitan lyric-dramatic talent’ – that is what Eduard Hanslick, the most influential music critic of the nineteenth century, called the composer Charles Gounod, whose life, so full of changes, began in Paris, where he was born on 17 June 1818. Encouraged from early on by his mother, a highly gifted pianist, to pursue a musical career, his initial efforts as a composer were sacred works. It was the singer Pauline Viardot who pointed him in the direction of opera and for whom he composed Sapho, his first stage work (1851). Despite a lukewarm reception by the public, Gounod was persuaded that he was called to be an opera composer, and it was his setting of Faust that established his worldwide fame.

The struggle of the eternal seeker with the powers of the cosmos were not what occupied the centre of Gounod’s interest, but rather that episode from Faust Part One that most readily lent itself to musical adaptation – specifically the ‘Gretchen tragedy’, which Goethe had already woven into his Urfaust, his very first treatment of the material, and which is based on the fate of a servant girl, Susanna Margarethe Brandt, condemned to death in 1772. That is the reason the opera was called Margarethe in the German-speaking world for a long period of time.

English

Faust by Gounod, Sa. 20 Aug. 2016, Ab (2016/2016), Unter der Regie von Reinhard von der Thannen, Alexander Fahima,, Dirigat Alejo Pérez, Großes Festspielhaus, Salzburg, Österreich

Aufführungskredite (Besetzung & Produktionsteam )

Besetzung

Produktionsteam

Ensemble

Programm, Info & Synopsis

Fotos

Weiterführende Literatur

Aufführungstermine & Spielstätten

Veranstaltungsorte