Name: Follie Corelliane II
Start: 2017-06-27T00:00:00.000Z
End: 2017-06-27T00:00:00.000Z
Location: Basilica di Sant’Apollinare Nuovo

Admin

Ravenna Festival

Violinist

Stefano Montanari

Violin

Instrumentalist

Valeria Montanari

Harpischord

Francesco Galligioni

Cello

Fabiano Merlante

Lute

Gianni Valgimigli

Violone

Follie Corelliane II

Ravenna

Italië

Basilica di Sant’Apollinare Nuovo

Public

12 Violin Sonatas, Op.5

Larissa Andrea Pereira

Approved

Bass

Pianist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Bassist

Accordionist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da Gambist

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Componist

Dirigent

Regisseur

Librettist

Set designer

Kostuum ontwerper

Choreograaf

Licht ontwerper

Danser

Acteur

Koor meester

Video ontwerper

Dramaturg

Vertaler

Geluidsontwerper

Répétiteur

Visagist

Uitvoerend producent

Haar stylist

Other

Stage Manager

Koor

Orkest

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Illustrator

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Extra

Baritone

Singer

Bass-baritone

Soprano

Tenor

Countertenor

contralto

Mezzo-soprano

Spoken

Child vocalist

Silent

Alto

Continuo

It is not easy to grasp the revolutionary act of a composer after an interval of centuries, especially if his work has become a classic model for generations of interpreters. And so it happens that even the best experts cannot do so: Marc Pincherle, for example, Corelli’s famous biographer, stated that the originality of the composer from nearby Fusignano lies in his “lack of originality”. A completely opposite opinion had previously been expressed by Luigi Torchi, a pioneer of Italian musicology, who had seen several “interesting [formal] news” and some technical improvements that “would immensely enrich the sound and the effects of the violin, like Corelli’s pioneering use of double/triple stops and arpeggios, which gave the melody a sort of orchestration resulting from the instrument itself.

English

Non è facile cogliere il gesto rivoluzionario di un compositore a secoli di distanza, soprattutto se la sua opera è divenuta modello classico per generazioni di interpreti. Capita così che neppure i massimi esperti ci riescano, come Marc Pincherle, il celebre biografo di Corelli, secondo il quale l’originalità del compositore nato a Fusignano sta nell’essere “privo di originalità”. Prima di lui, però, un giudizio del tutto rovesciato era arrivato da Luigi Torchi, pioniere della musicologia italiana, che aveva saputo individuare oltre a “interessanti novità” formali, il progresso tecnico che “doveva immensamente arricchire la sonorità e l’effetto del violino, se si tien conto ancora dell’uso che Corelli fece per un dei primi, di note doppie, di bicordi, tricordi ed arpeggi, i quali fornivano alla melodia come un’orchestrazione derivante dallo stesso istrumento”.

italiano

Follie Corelliane II by Corelli, A., Van (2017/2017), Basilica di Sant’Apollinare Nuovo, Ravenna, Italië

Voorstellingscredits (Cast & Productieteam )

Cast

Instrumentatie

Programma, Over & Synopsis

Foto's

Verder lezen

Uitvoeringsdata en -locaties

Speellocaties