Organization

Licht ontwerper

Kostuum ontwerper (+2)

Yashi

Dirigent

Dirigent (+1)

Motonori Kobayashi

Regisseur

Regisseur (+5)

Marie-Eve Signeyrole

Set designer

Set designer (+3)

Fabien Teigné

Kostuum ontwerper

Choreograaf

Martin Grandperret

Koor meester

Koor meester (+4)

Fabio Mancini

Dramaturg

Merle Fahrholz

Sopraan (+1)

Anna Sohn

Brunhilda

Mezzosopraan (+1)

Hyona Kim

Frédégonde

Tenor (+1)

Sergey Romanovsky

Mérowig

Bariton (+3)

Mandla Mndebele

Hilpérick

Tenor (+2)

Sungho Kim

Fortunatus

Bas-bariton (+3)

Demian Matushevskyi

Landéric

Bas (+4)

Ian Sidden

Un Serviteur

Bas (+2)

Denis Velev

L'Evêque Prétextat

Film regisseur

Video (+1)

Laurent La Rosa

Productiemanager

Dirigent (+6)

Fabian Schäfer

Taalcoach

Pianist (+3)

Aymeric Catalano

Assistent-regisseur

Assistent Toneelregisseur (+3)

David Bolik

Hoofd Van De Studies

Dirigent (+2)

Thomas Hannig

Cinematograaf

Jonas Schmieta

Manager

Regisseur (+2)

Alexander Becker

Podiummanager (+1)

Ulas Nagler

Assistent decorontwerper

Set designer (+1)

Emine Güner

Assistent Kostuumontwerper

Assistent Kostuumontwerper (+2)

René Neumann

Theater Dortmund

Orchestra

Dortmunder Philharmoniker

Chorus

Opernchor Theater Dortmund

Opernhaus Dortmund

Souffleur

Choreograaf (+1)

Adriana Naldoni

Assistent choreograaf

It's a family feud - escalating into a civil war. Brunhilda competes against Hilpéric, her brother-in-law. The target of their attack, however, is the woman at his side, Frédégonde. After Hilpéric overwhelms his sister-in-law with a surprise attack, his son Mérowig is supposed to banish her to a shielded monastery. But Mérowig is so enchanted by her that he disobeys his father's orders...

When Ernest Guiraud died in 1892, only the first three acts of Frédégonde were available, the rest was composed by Guiraud's companion and friend Camille Saint-Saëns. His personal style, based on romantic harmonies and classical forms, makes Frédégonde a unique testament to the musical diversity of the late 19th century.
In the implementation for the Dortmund Opera, the audience follows the two queens as they look back on their eventful lives. A fascinating mix of live experience on stage and silent film brings the Merovingian era back to life.

Frans

Dortmund

Duitsland

Opernhaus