Name: From salon to the stage
Start: 2022-10-01T00:00:00.000Z
End: 2022-10-01T00:00:00.000Z
Location: Scuola Grande di San Giovanni Evangelista

Organization

Festival Palazzetto Bru Zane à Paris

Pianist

Thomas Tacquet

Singer

Soprano

Gabrielle Philiponet

Mezzo-soprano

Marie Kalinine

Tenor

Artavazd Sargsyan

Baritone

Philippe-Nicolas Martin

From salon to the stage

Venice

Italy

Scuola Grande di San Giovanni Evangelista

From salon to the stage: Concert

Public

Private

Concert

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Choreographer

Chorus Director

Chorus master

Composer

Conductor

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Bass

Bass-baritone

Countertenor

Contralto

Alto

Child vocalist

Continuo

Silent

Spoken

Mastering the art of vocal composition was the ultimate goal of musical education in France: studies at the Paris Conservatoire were geared to achieving that final stage of theoretical knowledge, and candidates for the Prix de Rome were assessed on their ability to produce such a work, in the form of a cantata. The emphasis on vocal music may be explained by the high prestige in France of opera and opéra-comique, which in Jules Massenet’s time also extended to oratorio and the mélodie. Eager to explore areas other than the stage, his generation took to the concert hall and the salon with the same dedication and a desire to achieve nobility of style in every genre.

English

L’arte della scrittura vocale è l’orizzonte ultimo dell’insegnamento musicale francese: l’intera organizzazione degli studi al Conservatorio di Parigi porta verso quest’ultima tappa del sapere teorico e infatti i giovani concorrenti per il prix de Rome vengono valutati sulla base di una cantata, che deve dimostrare la loro padronanza di tale scrittura. Questa prevalenza dell’elemento lirico si spiega con l’importanza che l’opera e l’opéra-comique hanno in Francia, ma giova anche, all’epoca di Massenet, ai generi dell’oratorio e della mélodie. La sua generazione, curiosa di esplorare altri ambiti oltre a quello del palcoscenico, produce con la stessa serietà d’impegno anche per le sale da concerto e per i salotti, con la volontà di raggiungere una certa nobiltà di stile in tutti i generi.

italiano

L’art de l’écriture vocale est le point d’horizon de l’enseignement musical français : toute l’organisation des études du Conservatoire de Paris mène vers cette ultime étape du savoir théorique et c’est à la lumière de sa maîtrise – cantate à l’appui – que l’on évalue les jeunes artistes dignes d’être désignés Prix de Rome. Si cette prévalence du lyrique s’explique par l’importance que l’on accorde en France à l’opéra et à l’opéra-comique, elle bénéficie aussi, à l’époque de Jules Massenet, à l’oratorio et à la mélodie. Curieux d’explorer d’autres contrées que les seules planches des théâtres, sa génération investit le concert et les salons avec un même sérieux et une volonté d’atteindre, dans tous les genres, une noblesse de style.

français

From salon to the stage by Various, De (2022/2022), Scuola Grande di San Giovanni Evangelista, Venice, Italy

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Tripulació

Programa, Sobre i Resum

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