Name: Giselle
Start: 2023-09-22T00:00:00.000Z
End: 2024-06-22T00:00:00.000Z
Location: Ekaterinburg Opera

Organization

Conductor

Alexey Bogorad

Choreography by

Jean Coralli

Jules Perrot

Marius Petipa

Choreographer

Natalia Bolshakova

Vadim Gulyaev

Set designer

Andrei Voitenko

Costume designer

Tatiana Noginova

Lighting designer

Nina Indrikson

Dancer

Elena Vorobyova

Giselle

Sofia Tupa

Myrtha

Gleb Sageev

Hilarion (Hans)

Fidan Daminev

Wilfreed

Anton Guzeev

Duke

Natalia Druzhinina

Bathilde

Ivan Surodeev

Peasant Pas de Deux

Konstantin Chudovsky

Artem Abashev

Pavel Klinichev

Maxim Kozlov

Maria Mikheeva

Mikhail Khushutin

Count Albrecht

Elena Safonova

Anastasia Bugaeva

Anna Domke

Singer

Maxim Klekovkin

Evgeny Baldanov

Andrey Veshkurtsev

Victor Mekhanoshin

Nadezhda Shamshurina

Berthe

Inna Avdeeva

Moyna, the willis

Tatyana Mevkh

Zulmé, the wilis

Ural Opera Ballet

Orchestra

Ural Opera Ballet Orchestra

Others

Ivan Sidelnikov

Elena Kabanova

Elena Glushakova

Assia Sultanova

Tomoha Terada

Ekaterina Kuznetsova

Anastasiya Krzhemankina

Hideki Yasumura

Mana Kuwabara

Alexander Merkushev

Natalya Kuznetsova

Artem Kychanov

Karina Rafalson

Viktor Magurin

Aleksey Seliverstov

Eduard Zabelin

Evgeniy Balobanov

Alexander Borodin

Ekaterinburg

Russia

Ekaterinburg Opera

Giselle Adam,A

Public

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Chorus Director

Chorus master

Composer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Bass-baritone

Countertenor

Bass

Mezzo-soprano

Contralto

Soprano

Tenor

Baritone

Alto

Child vocalist

Continuo

Silent

Spoken

Giselle is considered to be one of the most important ballets in the history of the romantic genre: rare in the history of ballets, Giselle still continues to be performed for over 180 years. Many choreographers had been attriubuted for the choreography of Giselle, there is not even an unanimous opinion of who exactly prepared the Parisian premiere in 1841: tradition attributes authorship to Jean Coralli and Jules Perrot. Despite its initial success, by the end of the 19th century, the romantic story about “wilis” — the vindictive ghosts of girls who died before the wedding and who love to dance — began to seem naive and not spectacular, and was dropped from the repertoire.

The only company to perform Giselle at this time remained the Maryinsky ballet, where the ballet was staged by Marius Petipa. In 1910, this version was shown in Paris by the entrepreneur Sergei Diaghilev, symbolically returning Giselle to its homeland — and to the world repertoire. Since then, the ballet is continually performed internationally and its production is customarily accredited to three directors — Coralli, Perrot and Petipa.

In Ekaterinburg, the ballet has been revived in its original version. What in the “old Giselle" attracts the public to today? A story of sincere, but deceived love. The ballet comprises two contrasting acts: reality and the world of ghostly spectres. The charm of the old style genre and the ideal artistic order of dance ensembles. Finally, the opportunity and challenges to the dancers, both in dance and drama: as far as ballets are concerned, Giselle is considered as difficult and valued as highly as in the dramatic theatre – the role of Hamlet.

Premiered on — April, 7 2017

English

«Жизель» считается одним из важнейших балетов в истории жанра: редкому спектаклю удалось задержаться на сцене на 180 лет хотя бы и с перерывами. К «Жизели» приложили руку множество хореографов, нет даже единого мнения, кто именно готовил парижскую премьеру в 1841 году: традиция приписывает авторство Жану Коралли и Жюлю Перро. Несмотря на успех, к концу XIX века романтическая история о вилисах — мстительных призраках девушек, умерших до свадьбы и любящих танцевать — стала казаться наивной и не зрелищной и сошла со сцены.

Единственным хранителем «Жизели» в это время оставался петербургский балет, где спектакль шел в постановке Мариуса Петипа. В 1910 году эту версию показала в Париже антреприза Сергея Дягилева, символически возвратив «Жизель» на родину — и в мировой репертуар. С тех пор балет уже не сходит с подмостков, а на его афишах принято указывать трех постановщиков — Коралли, Перро, Петипа.

В Екатеринбурге балет возобновлен в канонической версии. Что в старинной «Жизели» привлекает публику по сей день? История искренней, но обманутой любви. Эффектный контраст двух актов: день и ночь, быт и фантастика, многокрасочный сельский праздник и белый хоровод призраков в подвенечных платьях. Очарование старинной пантомимы. Идеальный художественный порядок танцевальных ансамблей. Наконец, обещание больших актерских открытий: среди балерин партия Жизели считается столь же трудной и ценится столь же высоко, как в драматическом театре — роль Гамлета.

русский

Giselle by Adam, sek 24 rgs 2023, Nuo (2023/2024), Dirigentas Alexey Bogorad, Konstantin Chudovsky, Artem Abashev, Pavel Klinichev, Maxim Kozlov, Ekaterinburg Opera, Ekaterinburg, Russia

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