Name: Giulio Cesare in Egitto
Start: 2022-05-13T00:00:00.000Z
End: 2022-05-22T00:00:00.000Z
Location: Deutsches Theater Göttingen

Organization

Internationale Händel-Festspiele Göttingen

Dirigat

George Petrou

Regie

Bühnenbild

Paris Mexis

Kostümbild

Lichtgestaltung

Stella Kaltsou

Sänger

Countertenor

Yuriy Mynenko

Julius Cäsar

Sopran

Sophie Junker

Cleopatra

Nicholas Tamagna

Ptolomäus

Francesca Ascioti

Kornelia

Katie Coventry

Sextus Pompeius

Bass

Riccardo Novaro

Achillas

Artur Janda

Curius

Rafał Tomkiewicz

Nirenus

Italienisch

Giulio Cesare in Egitto -  (Julius Caesar in Ägypten)

Göttingen

Deutschland

Deutsches Theater Göttingen

Giulio Cesare in Egitto Händel

Public

Julius Caesar in Ägypten

Genehmigt

Giulio Cesare in Egitto | G.F. Händel

Sophie Junker as Cleopatra

Nicholas Tamagna as Tolomeo

FestspielOrchester Göttingen
Göttingen Händelfestspiele 2022 

George Petrou
Music and Stage Direction

Paris Mexis
Stage and Costume Design

Stella Kaltsou
Lighting Design

"Domerò la tua fierezza" from Giulio Cesare in Egitto | Göttingen Händelfestspiele 2022

It was a trio of works in the 1724/25 season that established Handel's unparalleled position among the opera composers of his time. Tamerlano: the radical centrepiece. Rodelinda, re de' Langobardi: the colourfully multifaceted capstone. And both the opening, and the culmination of this radiant chord: Giulio Cesare in Egitto. It is the favourite of many, and is even considered by some as the best of the 42 operas by “Il caro Sassone”, the beloved Saxon – including our Artistic Director George Petrou.

So it is as understandable as it is bold that he is bringing it to the stage already in his first Göttingen Festival season – and that, on both the podium and in the director’s chair. This makes sense in two ways: for one, because Petrou has already staged successful productions such as Alcina, Idomeneo, West Side Story, Kiss Me, Kate and Sweeney Todd as well as operetta and drama, focusing on a musician’s approach to theatre and looking into defining the close bonds between musical dramaturgy and the stage action. For another, because Handel’s fine characterization and the complex psychology of the characters are inextricably interwoven with the compositional dramaturgy.

As understandable as it is bold: such is also the plan that Cleopatra devises to realize her claim to the Egyptian throne which her brother Tolomeo occupies. For this reason, she seduces Caesar into helping her – with sweeping success and lasting consequences for both of them: cunning turns into lust and passion. The Roman ruler also falls in love with her, but finds himself confronted with a bloodthirsty revenge plot. Cornelia and Sesto, wife and son of his slain enemy Pompeo, hold him responsible for the beheading of the rogue commander and plot to take his life ...

100 years after Oskar Hagen rediscovered and resurrected the masterpiece, it is returning in a co-production with the Nederlandse Reisopera to the place where the Handel renaissance in Germany began in the 1920s.

English

Julius Caesar in Ägypten by Händel, Mi. 18 Mai 2022, Ab (2022/2022), Unter der Regie von George Petrou,, Dirigat George Petrou, Deutsches Theater Göttingen, Göttingen, Deutschland

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