Organization

Stage director

Hans-Peter Jahn

Lighting designer

Björn Klaassen

Dramaturge

Polina Sandler

Pianist

Yukiko Sugawara

Singer

Yuko Kakuta

Soprano

Susana Fernandes Genebra

Professor

Nationaltheater Mannheim

Others

Statisterie des Nationaltheaters

vācu

portugāļu

japāņu

angļu

GOT LOST

Mannheim

Germany

Public

Approved

Bass

Instrumentalist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Accordionist

Bassist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Conductor

Librettist

Set designer

Costume designer

Choreographer

Dancer

Actor

Chorus master

Video designer

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Orchestra

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Illustrator

Extra

Countertenor

Baritone

Mezzo-soprano

Tenor

Bass-baritone

Contralto

Spoken

Child vocalist

Silent

Alto

Continuo

GOT LOST Helmut Lachenmann

A villa, an elevator, upstairs - two rooms, downstairs - a washroom. Between Friedrich Nietzsche, Fernando Pessoa and their washtub, the thoughts of a professor from Portugal are wandering while she is trying to master the German language to the sounds of music from the next room. On the occasion of the 2nd Biennale for New Music in the Rhine-Neckar metropolitan region, musicologist and dramaturge Hans-Peter Jahn realized his interpretation of Lachenmann's song cycle, in which he gave the »Godlessness« of the material an absurd scenic expression.

English

Eine Villa, ein Aufzug, oben – zwei Zimmer, unten – ein Waschraum. Zwischen Friedrich Nietzsche, Fernando Pessoa und ihrem Waschzuber irren die Gedanken einer Professorin aus Portugal, während sie zu Musikklängen aus dem Nachbarzimmer die deutsche Sprache zu meistern versucht. Anlässlich der II. Biennale für Neue Musik der Metropolregion Rhein-Neckar realisiert Musikwissenschaftler und Dramaturg Hans-Peter Jahn seine Interpretation von Lachenmanns Liedzyklus, in der er der »Gott-losigkeit« des Stoffes einen absurden szenischen Ausdruck verleiht.

Deutsch

GOT LOST by Lachenmann, Sv 26 feb 2023, No (2023/2023), Režisēja Hans-Peter Jahn,

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