Name: Gräfin Mariza
Start: 2021-12-14T00:00:00.000Z
End: 2022-06-22T00:00:00.000Z
Location: Štátna Opera

Organization

Singer

Tenor

Dušan Šimo

Count Tassilo of Endrody-Wittemburg

Soprano

Katarína Procházková

Countess Mariza

Baritone

Matúš Bujňák

Prince Populescu

Martin Popovič

Baron Koloman Zsupan

Oľga Bezačinská

Lisa

Bass

Karol Kurtulík

Karl Stefan Liebenberg

Spoken

Marián Hadraba

Penizek

Lenka Rúriková

Ilka of Dambossy

Judita Andelová

Eržika

Igor Kúchen

Czech

Slavomíra Kaprálová

2  Ladies

Oľga Hromadová

Princess Rosenthal

Stage director

Tomáš Pilař

Conductor

Igor Bulla

Costume designer

Aleš Valášek

Set designer

Choreographer

Michal Majer

Dramaturge

Alžbeta Lukáčová

Chorus master

Iveta Popovičová

Music study

Marián Vach

Text editing

Concertmaster

Oldrich Husak

Anton Baculík

Carmen Ferenceiová

Štefan Šafárik

Translator

Ladislav Holoubek

Peter Malý

Ivana Kurtulíková

Gabriel Sárossy

Darina Benčová

Ilonka

State Opera Banská Bystrica

Orchestra

Orchestra of the State Opera Banská Bystrica

Others

State Opera Chorus

State Opera Orchestra

Choir of the State Opera Banská Bystrica

State Opera Choir, Ballet and Orchestra

slovaščina

Gräfin Mariza -  (Countess Maritza)

Banská Bystrica

Slovakia

Štátna Opera

Gräfin Mariza Kálmán,E

Public

Countess Maritza

Approved

Emmerich Kálmán spolu s Lehárom a Straussom patrí k najvýraznejším predstaviteľom viedenskej operety, s ktorou sa spájajú i jeho najslávnejšie diela: Čardášo...

Emmerich Kálmán, together with Lehár and Strauss, is one of the most prominent representatives of the Viennese operetta, which is associated with his most famous works: Princess Čardášová (1915), Countess Marica (1924) and Circus Princess (1926).  The strength of Kálmán's

Emmerich Kálmán - Grófka Marica (State Opera in Banská Bystrica)

Emmerich Kálmán, together with Lehár and Strauss, is one of the most prominent representatives of the Viennese operetta, which is associated with his most famous works: The Gypsy Princess (1915), Countess Maritza (1924) or The Circus Princess (1926). The strength of Kálmán's compositions lay mainly in the ability to adapt a folk element to the environment of the operetta, especially in the form of a csárdás. It was this dance that perfectly suited the operetta and became Kálmán's specialty. At the same time, he was able to expand his means of expression with elements of exoticism (popular not only in the operetta genre) or jazz. Countess Maritza is associated with the later period of Kálmán's works. It was given the adjective "most Hungarian operetta" and is one of the last great classical works of its genre. Its plot takes us to the Hungarian estate of the 20th century where beautiful and rich Countess Maritza lives. It is here that the impoverished Count Tassilo lets himself to be hired incognito as an administrator. He wants to make money for his sister's dowry. As usually, love ignites among young people, but it is complicated by several misunderstandings and mishaps, but in the end the story ends happily. In the Theatre an der Wien, where it premiered, people went crazy: every single musical number of the work became a hit.

English

Krediti za predstavo (Zasedba in producentska ekipa )

Igralska zasedba

Posadka

Ansambel