Organization

Stage director

Melissa King

Lighting designer

Thomas Schlegel

Costume designer

Judith Peter

Set designer

Knut Hetzer

Dramaturge

Wiebke Hetmanek

Singer

Thomas Hermanns

Edna Turnblad

Hans Kittelmann

Wilbur Turnblad

Annakathrin Naderer

Penny Pingleton

Gaines Hall

Corny Collins

Benjamin Sommerfeld

Link Larkin

Marie-Anjes Lumpp

Amber von Tussle

Sophie Berner

Velma von Tussle

Malcolm Henry

Seaweed J. Stubbs

Dapheny Oosterwolde

Inez

Johanna Schoppa

Prudy Pingleton / Gym Teacher / Matron

Andreas Zaron

Harriman F. Spritzer / Principal / Mr. Pinky

Anneka Dacres

Cindy Watkins

Meimouna Coffi

Peaches

Taryn Nelson

Pearl

Ngako Keuni

Gilbert

Danilo Brunetti

Stooie

Danai Maria Simantiri

Shelley

Anna Angelini

Brenda

Salomé Teresa Ortiz Obermayer

Tammy

Roberta Monção

Lou Ann

Jakob Brüll

sketch

Wolfram Föppl

Leopold Lachnit

Brad

Johannes Summer

Fender

Conductor

Andreas Paetzold

Marja Hennicke

Tracy Turnblad

Christian Reuter

Choreographische Assistenz

Samantha Turton

Staatstheater Nürnberg

Theater Dortmund

Orchestra

Staatsphilharmonie Nürnberg

State Philharmonic Nuremberg

nemčina

Hairspray

Nuremberg

Germany

Opernhaus Nürnberg

Hairspray Shaiman

Public

Approved

Baltimore, 1962. The Corny Collins Show is the center of Tracy's world. Every day the “Nicest Kids in Town” present the latest dance steps here. To be there once is Tracy's dream. But it seems too fat and unadjusted for that. When she got to know the cool dance steps of the black classmates while in detention , her chance came. On the other hand, their black friends don't get a chance , because they are not even allowed to appear on the TV show because of the prevailing racial segregation. But Tracy is not satisfied with that. The cult musical is a brilliant statement against any form of discrimination.


black or black?
With the cast of the Motormouth community, we decided to use lower case letters when it comes to racial segregation in America in the 1960s. "Hairspray" is set in 1962 in the USA. Racial segregation still existed by law in the southern states. The so-called “One-Drop-Rule” defined everyone who had a black African ancestor as “black”. The musical addresses this “legalized” racism. The capitalized “black” that is used by many initiatives today, on the other hand, does not refer to an ethnic group, but rather stands for “a bond through similar experiences of racism” (Amnesty International). We assume that the audience will carry over the musical's appeal for respectful interaction with one another into today and relate it to everyone.

English

Uznanie za predstavenie (Obsadenie & Tím )

Obsadenie

Posádka

Súbor

Koproducent