Name: Il barbiere di Siviglia
Start: 2015-02-16T00:00:00.000Z
End: 2015-03-06T00:00:00.000Z
Location: Bozar

Admin

Organization

Cantante

Tenore

Topi Lehtipuu

Il conte d'Almaviva

Soprano

Mari Eriksmoen

Rosina

Baritono

Pietro Spagnoli

Bartolo

Andrè Schuen

Figaro

Fulvio Bettini

Basilio

Basso

Christoph Seidl

Un notaro

Direzione d'orchestra

René Jacobs

Regia

Moshe Leiser

Patrice Caurier

Scenografia

Christian Fenouillat

Costumi

Agostino Cavalca

Luci

Christophe Forey

Erik Årman

Il giovinetto

Un alcande

Libretto

Giuseppe Petrosellini

MusikTheater an der Wien

Orchestra

Freiburger Barockorchester

italiano

Il barbiere di Siviglia

Bruxelles

Belgio

Bozar

Salle Henry Le Boeuf

tedesco

Approvato

Accordionist

Strumento

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianista

Recorder Player

Saxophonist

Suonatore di flauto

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinista

Violino Piccolo Player

Violista

Altro

Ballando

Chorus Director

Composizione

Coreografia

Coro

Direzione del coro

Docente di canto

Drammaturgia

Emittente radiotelevisiva

Extra

Illustrator

Insegnante

Maestro ripassatore

Orchestra Operations

Parrucco

Photographer

Poet

Produzione esecutiva

Recitazione

Stage Manager

Suono

Traduzione

Trucco

Video

Wig & Makeup Designer

Writer

Writing and performance

Basso-baritono

Controtenore

Mezzosoprano

Contralto

Alto

Continuo

Mimi

Narrazione

Voce bianca

Il barbiere di Siviglia Paisiello

Pierre-Augustin Caron de Beaumarchais (1732-1799), court watchmaker, inventor, writer, diplomat and adventurer, offered Le barbier de Séville to the Comédiens of Italy as an opera libretto in 1772 . When they refused, he rewrote it into a play that celebrated a triumphant success in the Comédie-Française in 1775. Beaumarchais was so full of ideas for the fate of the characters around his jack of all trades Figaro that a whole trilogy was created, which exactly reflects the rapid development of social conditions in the last third of the 18th century. Giovanni Paisiello's setting of the first piece was commissioned by Catherine II in St. Petersburg in 1782 and quickly became extremely successful throughout Europe.

In Seville, Rosina is looked after in his house by her guardian Bartolo, because since the young woman is beautiful and rich, Bartolo wants to marry her. But Rosina has another admirer: a student, Lindoro, has been secretly courting her for some time. She likes the young man much better than her guardian. Lindoro is the disguised Count Almaviva, known as a seducer. This time, however, he is seriously in love, he wants to make Rosina his wife, even though she is a middle-class woman. He assures himself of the help of Figaro, who as a doctor, pharmacist and barber has free access to the Bartolos house. Bartolo, however, has heard that the notorious Almaviva is in town and correctly suspects that he might be targeting his ward. He tries to hasten the marriage, but Figaro and Almaviva devise counter-intrusions.

English

Il barbiere di Siviglia by Paisiello, mer 25 feb 2015, Da (2015/2015), Diretto da Moshe Leiser, Patrice Caurier,, Direttore d'orchestra René Jacobs, Bozar, Bruxelles, Belgio

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