Name: Il canto s'attrista, perche?
Start: 2020-05-08T00:00:00.000Z
End: 2020-05-31T00:00:00.000Z
Location: Opernhaus

Organization

Cantante

Soprano

Ralitsa Ralinova

Cassandra

Mezzosoprano

Iris Marie Sojer

Clitemestra

Controtenore

Rupert Enticknap

Guardiano

Baritono

Simon Stricker

Agamemnon

Basso-baritono

Gerard Farreras

Araldo

Ja-Young Park

Soloquartett

Katharina Greiß

Marco Agostini

Javier Horacio Zapata Vera

Direzione d'orchestra

Johannes Pell

Regia

Nigel Lowery

Scenografia

Direzione del coro

Markus Baisch

Drammaturgia

David Greiner

Costumi

Stadttheater Klagenfurt

Wuppertaler Bühnen

Orchestra

Sinfonieorchester Wuppertal

Others

Opernchor der Wuppertaler Bühnen

italiano

Il canto s'attrista, perche?

Wuppertal

Germania

Opernhaus

Il canto s'attrista, perche? Sciarrino

Public

Private

tedesco

Approvato

Accordionist

Strumento

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Continuo

Contrabassist

Cornettist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianista

Recorder Player

Saxophonist

Suonatore di flauto

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinista

Violino Piccolo Player

Violista

Altro

Ballando

Chefdirigent Musiktheater

Chorus Director

Composizione

Coreografia

Coro

Docente di canto

Emittente radiotelevisiva

Extra

Illustrator

Insegnante

Libretto

Luci

Maestro ripassatore

Orchestra Operations

Parrucco

Photographer

Poet

Produzione esecutiva

Recitazione

Stage Manager

Suono

Traduzione

Trucco

Video

Wig & Makeup Designer

Writer

Writing and performance

Basso

Contralto

Tenore

Alto

Mimi

Narrazione

Voce bianca

n this »missing link« between Christoph Willibald Gluck's Iphigenia operas and Richard Strauss' Elektra, the betrayed Klytämnestra finally has her say.

In Mycenae we learn of the return of King Agamemnon, who has conquered Troy after ten years of war and is now returning home with Cassandra as his slave and mistress. His wife Klytämnestra can neither forgive him for the sacrifice of her daughter Iphigenia nor for the present adultery and takes terrible revenge.

Salvatore Sciarrino – well known in Wuppertal after a number of premieres and world premieres over the past few decades, most recently ›La porta della legge‹ in 2009 – is one of the most important contemporary Italian composers and has been looking at major theatrical material from a different perspective for years. After versions of 'Macbeth' and 'Lohengrin' he now turns to ancient Greek literature: Aeschylus' 'Oresteia'.

English

Deutsch

Il canto s'attrista, perche? by Sciarrino, dom 31 mag 2020, Da (2020/2020), Diretto da Nigel Lowery,, Direttore d'orchestra Johannes Pell, Opernhaus, Wuppertal, Germania

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Ensemble

Co-produttore

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