Name: Il Johann Sebastian Bach di Pasolini | Omaggio a Pier Paolo Pasolini
Start: 2022-06-02T00:00:00.000Z
End: 2022-06-02T00:00:00.000Z
Location: Teatro Rasi

Organization

Ravenna Festival

Instrumentalist

Giuseppe Gibboni

Spoken

Ermanna Montanari

Il Johann Sebastian Bach di Pasolini | Omaggio a Pier Paolo Pasolini

Ravenna

Italy

Teatro Rasi

Il Johann Sebastian Bach di Pasolini | Omaggio a Pier Paolo Pasolini: Concert Various

Public

Concert

Approved

Bass

Pianist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Bassist

Accordionist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Conductor

Stage director

Librettist

Set designer

Costume designer

Choreographer

Lighting designer

Dancer

Actor

Chorus master

Video designer

Dramaturge

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Orchestra

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Illustrator

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Extra

Tenor

Singer

Countertenor

Baritone

Contralto

Bass-baritone

Mezzo-soprano

Soprano

Child vocalist

Silent

Alto

Continuo

Il primo amore di Pier Paolo Pasolini per la musica fu per i Soli per violino di Bach. Glieli fece conoscere la violinista slovena Pina Kalc durante il soggiorno in Friuli. Era il 1943. Egli fu anche tentato dall’idea di imparare a suonare il violino, ma desistette. Nacquero però gli Studi sullo stile di Bach, scritto musicologico ispirato alle Sonate e Partite per violino BWV 1001-1006. Non finì neanche quello, ma trascinò la fascinazione bachiana nei suoi film, da Accattone a Il Vangelo secondo Matteo. I Soli senza basso, cioè privi di accompagnamento, sono l’altra faccia di Bach: non il severo organista, ma il sensuale e raffinato maestro dell’arco, capace di contenere in una voce unica luce e penombra, pensiero astratto e materialità del discorso. La carne e il cielo, dirà Pasolini.

italiano

Pier Paolo Pasolini’s first musical love were Bach’s Solo violin works, which the Slovenian violinist Pina Kalc introduced to him during her stay in Friuli, in 1943. Pasolini even briefly considered the idea of learning the violin, but desisted. His passion, though, resulted in the Studies on Bach’s Style, a musicological work inspired by the Sonatas and Partitas for solo violin BWV 1001-1006, and left unfinished. Pasolini, however, leaked his fascination with Bach into his films, from Accattone to The Gospel according to St Matthew. The “Unaccompanied works” are the other side of Bach: not the rigorous organist, but the sensual, refined master of the bow who could infuse his “voice” with both light and shadow, abstract thought and the materiality of speech. Flesh and heaven, as Pasolini termed it.

English

Il Johann Sebastian Bach di Pasolini | Omaggio a Pier Paolo Pasolini by Various, Od (2022/2022), Teatro Rasi, Ravenna, Italy

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