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Teatro alla Scala

Opéra National de Paris

Teatro Carlo Felice

Conductor

Conductor (+2)

Ingo Metzmacher

Stage director

Stage director (+3)

Damiano Michieletto

Set designer

Set designer (+1)

Paolo Fantin

Costume designer

Costume designer (+2)

Carla Teti

Dramaturge

Dramaturge (+1)

Mattia Palma

Baritone (+2)

Lucas Meachem

Guglielmo da Baskerville

Mezzo-soprano (+4)

Kate Lindsey

Adso da Melk

Soprano (+4)

Katrina Galka

La Ragazza del Villaggio

Statua della Vergine

Bass (+3)

Gianluca Buratto

Jorge da Burgos

Daniela Barcellona

Bernardo Gui

Baritone (+5)

Marco Filippo Romano

Abbone da Fossanova

Roberto Frontali

Salvatore

Tenor (+1)

Giorgio Berrugi

Remigio da Varagine

Countertenor (+4)

Owen Willetts

Malachia

Tenor

Giovanni Sala

Severino da Sant’Emmerano

Countertenor (+5)

Carlo Vistoli

Berengario da Arundel

Adelmo da Otranto

Tenor (+3)

Leonardo Cortellazzi

Venanzio

Giovanni Dalbena

Adrien Mathonat

Girolamo Vescovo di Caffa

Cuciniere

Orchestra

Orchestra of the Teatro alla Scala

Chorus

Children's Choir of Accademia Teatro alla Scala

Choreographer

Choreographer (+1)

Erika Rombaldoni

Lighting designer

Fabio Barettin

With the world première of Il nome della rosa, an opera based on Umberto Eco’s novel commissioned to Francesco Filidei by La Scala and the Paris Opéra, Piermarini’s stage is once again at the centre of the international panorama of contemporary culture. Il nome della rosa, conducted by Ingo Metzmacher, is the composer’s third opera after Giordano Bruno and L’inondation. Taking his cues from Eco’s descriptions of his novel as an ‘opera buffa’, Filidei develops the music with a central symphonic structure as rootstock for a succession of arias and recitativi, nearly closed forms whose substance derives principally from the variation of Gregorian melodies. In conjunction with the La Scala performances, Milano Musica will also dedicate a monographic edition to Filidei.

Fotografies