Organization

Admin

Ensemble La Palatine

Orchestra

Zanger

Soprano

Marie Theoleyre

Sopraan

Instrumentalist

Guillaume Haldenwang

Harpsichord

Noémie Lenhoff

Violin

Nicolas Wattinne

Théorbe

Il n’y a pas d’amour heureux

Parijs

Frankrijk

Public

Concert

Delfina Gago

Approved

Accordionist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Acteur

Broadcasting

Choreograaf

Chorus Director

Componist

Danser

Dirigent

Dramaturg

Extra

Geluidsontwerper

Haar stylist

Illustrator

Koor

Koor meester

Kostuum ontwerper

Librettist

Licht ontwerper

Orchestra Operations

Orkest

Other

Photographer

Poet

Regisseur

Répétiteur

Set designer

Stage Manager

Teacher

Uitvoerend producent

Vertaler

Video ontwerper

Visagist

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Contralto

Countertenor

Baritone

Bass

Tenor

Mezzo-soprano

Bass-baritone

Alto

Child vocalist

Continuo

Silent

Spoken

Surprising, dramatic and jubilant: La Palatine uses Italian music from the beginning of the 17th century to paint a chiaroscuro program on disenchantment in love.
A varied and intense love journey with multiple colors, ranging from the immaculate whiteness of Kapsberger's Rosa Bianca to the ironic reproaches of Merula's songs, via the bittersweet feelings of Savioni's cantatas. Monteverdi's Lamento d'Arianna will conclude this program, the paroxysm of the amorous despair of this concert whose common thread will be Brassens' song...
Also with works by Piccinini, Strozzi, Bartolotti...

English

Surprenant, dramatique et jubilatoire : La Palatine s'empare de la musique italienne du début du XVIIème siècle pour peindre un programme en clair-obscur sur le désenchantement amoureux.
Un parcours amoureux varié et intense aux couleurs multiples, allant de la blancheur immaculée de Rosa Bianca de Kapsberger aux reproches ironiques des chansons de Merula, en passant par les sentiments doux-amers des cantates de Savioni. Le Lamento d’Arianna de Monteverdi conclura ce programme, paroxysme du désespoir amoureux de ce concert dont le fil rouge sera la chanson de Brassens…
Avec également des œuvres de Piccinini, Strozzi, Bartolotti…

français

Il n’y a pas d’amour heureux by Various, Van (2023/2023)

Voorstellingscredits (Cast & Productieteam )

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Instrumentatie

Ensemble

Programma, Over & Synopsis

Verder lezen

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