Name: Il prigioniero
Start: 2018-01-16T00:00:00.000Z
End: 2018-01-27T00:00:00.000Z
Location: La Monnaie

Admin

Organization

Sänger

Sopran

Ángeles Blancas Gulín

Die Mutter

Bariton

Georg Nigl

Der Gefangene

Tenor

John Graham-Hall

Der Kerkermeister

Der Groß-Inquisitor

Julian Hubbard

1. Priester

Guillaume Antoine

2. Priester

Dirigat

Franck Ollu

Regie

Andrea Breth

Bühnenbild

Martin Zehetgruber

Kostümbild

Nina von Mechow

Lichtgestaltung

Alexander Koppelmann

Chordirektion

Martino Faggiani

Dramaturgie

Sergio Morabito

La Monnaie/De Munt

Others

La Monnaie Chorus

Orchestra

La Monnaie Symphony Orchestra

Italienisch

Il prigioniero -  (Der Gefangene)

Brüssel

Belgien

La Monnaie

Grande Salle

Il prigioniero Dallapiccola

Französisch

Niederländisch

Genehmigt

« Il prigioniero & Das Gehege » – jusqu’au 27 janvier à la Monnaie.Tickets → bit.ly/2Dy2FKC

A few hours before the premiere, Georg Nigl talks about “Il prigioniero” as well as his frequent collaborations with director Andrea Breth!

Il prigioniero & the enclosure - Interview Georg Nigl

‘Hope: the final torture...’ Ever since a jailer called him ‘brother’, a prisoner has hope that he will be freed. The door of his cell, however, opens to reveal a long corridor that leads to the stake – the illusion of freedom thus becomes, for him, the ultimate torture. At La Monnaie, the conductor Franck Ollu and the stage director Andrea Breth recently gave us an acclaimed version of Jakob Lenz by Wolfgang Rihm, a composer with whom they now collaborate again. Alongside the 20th century masterpiece Il prigioniero by Luigi Dallapiccola, they give us Das Gehege by Rihm, in which a woman frees an eagle from its cage before killing it. The flamboyant lyricism of Dallapiccola is followed by the poetic twilight world of Rihm. The two works form a diptych that explores the ambivalent relationship between the victim and the executioner as well as general questions about personal freedom and the possible dead ends in our so-called free world.

* Warning. During the performance of Das Gehege there is repeated use of stroboscopic effects. We would like to warn people who are sensitive to this kind of lighting effect that they may experience some discomfort or in extreme cases risk suffering a seizure.

English

Der Gefangene by Dallapiccola, Di. 16 Jan. 2018, Ab (2018/2018), Unter der Regie von Andrea Breth,, Dirigat Franck Ollu, La Monnaie, Brüssel, Belgien

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