Organization

Singer

Mezzo-soprano

Philippe Jaroussky

Human Frailty

Bass

Nahuel Di Pierro

Time

Soprano

Lauranne Oliva

Fortune

Emőke Baráth

Cupid

Rihab Chaieb

Penelope

Angelica Monje Torrez

Eurycleia

Mathilde Etienne

Melanto

Tenor

Álvaro Zambrano

Eurimaco

Anthony León

Jupiter

Emiliano Gonzalez Toro

Ulysses

Minerva

Philippe Talbot

Eumetes

Fulvio Bettini

Irus

Zachary Wilder

Telemachus

Nicolas Brooymans

Antinous

Anders J Dahlin

Peisander

Countertenor

Amphinomus

Juno

Conductor

Jérôme Varnier

Neptune

Théâtre des Champs-Elysées

Orchestra

I Gemelli

italiană

Il ritorno d'Ulisse in patria -  (The Return of Ulysses to His Homeland)

Paris

France

Théâtre

Il ritorno d'Ulisse in patria Monteverdi

Public

The Return of Ulysses to His Homeland

franceză

engleză

Approved

Il Ritorno d'Ulisse in patria is the composer's second opera after Orfeo, the favola in musica considered to be the first ever opera. With Ulisse, we leave the fable behind for myth: the myth of the end of Ulysses' voyage and his return to his faithful wife. Here, gods mingle with men and tragedy alternates with tender emotion and comedy. The libretto contains an infinite variety of themes that are at once timeless and profoundly human: Musically, the madrigal's heritage is evident in the richness of the ensemble pieces, but more elaborate forms are already appearing, especially in the handling of the recitar cantando and the orchestral ritornellos with their sublime sensuality and polychromy. To do justice to the dramatic and expressive variety, to this perfect fusion of music and theatre, the work requires voices that are well versed in this repertoire, and there is no doubt that the team assembled here knows its "job" in this area.

English

Le retour d’Ulysse dans sa patrie est le second opéra du compositeur après la favola in musica qu’est son Orfeo fondateur. Avec Ulysse, nous quittons la fable pour aborder les rives du mythe, celui de la fin du voyage d’Ulysse et son retour auprès de sa fidèle épouse. Ici, les dieux et les hommes s’entremêlent, le tragique, l’émotion tendre et le comique alternent. Le livret offre en effet une infinité de thèmes à la fois intemporels et profondément humains. Musicalement, si l’héritage du madrigal s’affirme dans la richesse des ensembles, apparaissent déjà des formes plus élaborées, en particulier dans le traitement du recitar cantando et des ritournelles orchestrales, sublimes de sensualité et de polychromie. Pour rendre justice à la richesse dramatique et expressive, à cette parfaite fusion entre musique et théâtre, l’ouvrage requiert des voix rompues à ce répertoire et nul doute que l’équipe réunie ici connait son « métier » en la matière.

français

The Return of Ulysses to His Homeland by Monteverdi, De la (2021/2021), Dirijor Emiliano Gonzalez Toro, Théâtre des Champs-Elysées, Paris, France

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