Name: Il tabarro
Start: 2016-03-09T00:00:00.000Z
End: 2016-04-24T00:00:00.000Z
Location: National Theatre

Admin

Organization

Cantante

Baritono

Vuk Zekić

Michele

Tenore

Nenad Čiča

Luigi

Basso

Mihailo Šljivić

Il Talpa

Soprano

Slađana Sarić

Giorgetta

Mezzosoprano

Ljubica Vraneš

La Frugola

Slaven Čiča

Il Tinca

Direzione d'orchestra

Zorica Mitev-Vojnović

Regia

Dejan Miladinović

Costumi

Katarina Grčić Nikolić

Scenografia

Aleksandar Zlatović

National Theatre Belgrade

Others

National Theatre Opera Chorus

Orchestra

Orchestra of the National Theatre Opera

Il tabarro

Belgrado

Serbia

National Theatre

Il tabarro Puccini

Public

Approvato

Accordionist

Strumento

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianista

Recorder Player

Saxophonist

Suonatore di flauto

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinista

Violino Piccolo Player

Violista

Altro

Ballando

Chorus Director

Composizione

Coreografia

Coro

Direzione del coro

Docente di canto

Drammaturgia

Emittente radiotelevisiva

Extra

Illustrator

Insegnante

Libretto

Luci

Maestro ripassatore

Orchestra Operations

Parrucco

Photographer

Poet

Produzione esecutiva

Recitazione

Stage Manager

Suono

Traduzione

Trucco

Video

Wig & Makeup Designer

Writer

Writing and performance

Controtenore

Basso-baritono

Contralto

Alto

Continuo

Mimi

Narrazione

Voce bianca

Puccini is the greatest opera master after Verdi. In his works, he gives verismo a new direction and new content. Although the brutal verismo of the executioner's knife, the West American gallows and the military platoon (Tosca, The Girl from the West) determine the character and level of some of his works, the others (Cloak, Sister Angelica and Gianni Skiki) are reminiscent of the concentrated drama of the first of Italian verists, Puccini in his other works (Bohemia, Manon Lescaut) is reminiscent of French opera lyrics, or goes his own exotic way (Madame Butterfly, Turandot) .... Puccini was explicit for a time, the Triptych is one whole, so one play , and always had to be shown in its entirety. Luigi Ritchie claims that after a play in Florence in 1920, Puccini still saw that he was so old, the Triptych was terribly long and tiring, with breaks, almost four hours. "I'm tired, too, who am the author," and he allowed it to be shared. After that, Skiki went everywhere alone, with Cavalry or Clowns. And in London with Salome! Later, the Cloak began to experience satisfaction, conquering with its atmosphere on the river Seine and exceptional drama. Only Sister Angelica remained the festival opera, that is, the one that is sometimes given, although Sartori claims that it is the best, which was Puccini's opinion.

English

Il tabarro by Puccini, mer 09 mar 2016, Da (2016/2016), Diretto da Dejan Miladinović,, Direttore d'orchestra Zorica Mitev-Vojnović, National Theatre, Belgrado, Serbia

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