Name: Il tabarro
Start: 2016-03-09T00:00:00.000Z
End: 2016-04-24T00:00:00.000Z
Location: National Theatre

Admin

Organization

Sänger

Bariton

Vuk Zekić

Marcel

Tenor

Nenad Čiča

Henri

Bass

Mihailo Šljivić

Der Maulwurf

Sopran

Slađana Sarić

Georgette

Mezzosopran

Ljubica Vraneš

Frettchen

Slaven Čiča

Die Schleie

Dirigat

Zorica Mitev-Vojnović

Regie

Dejan Miladinović

Kostümbild

Katarina Grčić Nikolić

Bühnenbild

Aleksandar Zlatović

National Theatre Belgrade

Others

National Theatre Opera Chorus

Orchestra

Orchestra of the National Theatre Opera

Il tabarro -  (Der Mantel)

Belgrad

Serbien

National Theatre

Il tabarro Puccini

Public

Der Mantel

Genehmigt

Accordionist

Instrument

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Andere

Chor

Chordirektion

Choreographie

Chorus Director

Dramaturgie

Extra

GesangslehrerIn

Haar

Illustrator

Komposition

Korrepetition

Lehrer

Leitender Produzent

Libretto

Lichtgestaltung

Maske

Orchester

Orchestra Operations

Photographer

Poet

Rundfunk

Schauspiel

Stage Manager

Tongestaltung

Tänzer

Videogestaltung

Wig & Makeup Designer

Writer

Writing and performance

Übersetzung

Bass-Bariton

Countertenor

Alto

Continuo

Kinderstimme

Sprechrolle

Stumme Rolle

Puccini is the greatest opera master after Verdi. In his works, he gives verismo a new direction and new content. Although the brutal verismo of the executioner's knife, the West American gallows and the military platoon (Tosca, The Girl from the West) determine the character and level of some of his works, the others (Cloak, Sister Angelica and Gianni Skiki) are reminiscent of the concentrated drama of the first of Italian verists, Puccini in his other works (Bohemia, Manon Lescaut) is reminiscent of French opera lyrics, or goes his own exotic way (Madame Butterfly, Turandot) .... Puccini was explicit for a time, the Triptych is one whole, so one play , and always had to be shown in its entirety. Luigi Ritchie claims that after a play in Florence in 1920, Puccini still saw that he was so old, the Triptych was terribly long and tiring, with breaks, almost four hours. "I'm tired, too, who am the author," and he allowed it to be shared. After that, Skiki went everywhere alone, with Cavalry or Clowns. And in London with Salome! Later, the Cloak began to experience satisfaction, conquering with its atmosphere on the river Seine and exceptional drama. Only Sister Angelica remained the festival opera, that is, the one that is sometimes given, although Sartori claims that it is the best, which was Puccini's opinion.

English

Der Mantel by Puccini, So. 24 Apr. 2016, Ab (2016/2016), Unter der Regie von Dejan Miladinović,, Dirigat Zorica Mitev-Vojnović, National Theatre, Belgrad, Serbien

Aufführungskredite (Besetzung & Produktionsteam )

Besetzung

Produktionsteam

Ensemble

Programm, Info & Synopsis

Fotos

Weiterführende Literatur

Aufführungstermine & Spielstätten

Veranstaltungsorte