Name: In the Penal Colony
Start: 2016-05-13T00:00:00.000Z
End: 2016-05-22T00:00:00.000Z
Location: Lillstreet Art Center

Organization

Conductor

Catherine O’Shaughnessy

Stage director

George Cederquist

Tenor

Zachary Vanderburg

Visitor

Bass-baritone

Matthan Ring Black

The officer

Spoken

Matt Katzenmeier

Condemned Man

Silent

Eric Staves

Caretaker

Costume designer

Stephanie Cluggish

Lighting designer

Rebecca Jeffords

Set designer

Dan Stratton

Chicago Fringe Opera

In the Penal Colony

Chicago

United States

Lillstreet Art Center

Painting Studio

In the Penal Colony Glass

Public

Approved

Bass

Instrumentalist

Pianist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Bassist

Accordionist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Librettist

Choreographer

Dancer

Actor

Chorus master

Video designer

Dramaturge

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Orchestra

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Illustrator

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Extra

Mezzo-soprano

Singer

Countertenor

Contralto

Soprano

Baritone

Child vocalist

Alto

Continuo

One man's struggle with humanity and morality in the face of capital punishment.
Philip Glass’s harrowing adaptation of Franz Kafka’s short story of the same title returns to Chicago for the first time since the work’s premiere at the Court Theatre in 2000.

With two singers, two actors and a string quintet, Glass’s pocket opera is small in scale and vast in impact. In an unnamed country, a soldier is to be put to death by capital punishment: a machine will tattoo the offender’s crimes on his skin, thus bleeding him to death. When a suspicious human rights inspectors arrives to witness the punishment, the officer in command must convince him of the humanity of the procedure, but with brutal consequences.

Glass’s examination of capital punishment, morality and the darkness of the human spirit is amplified by his iconic score, full of the rhythms and harmonic complexities found in his other works such as Einstein on the Beach and the Qatsi trilogy.

This production is produced in partnership with the Lillstreet Art Center and is performed in the Center’s Painting Studio, continuing Chicago Fringe Opera’s successful run of opera productions in immersive and non-traditional venues.

English

In the Penal Colony by Glass, la 21 touko 2016, Alkaen (2016/2016), Ohjannut George Cederquist,, Musiikinjohto Catherine O’Shaughnessy, Lillstreet Art Center, Chicago, United States

Esityksen ansiot (Näyttelijät & Tuotantotiimi )

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