Name: Juditha Triumphans
Start: 2023-03-17T00:00:00.000Z
End: 2023-03-19T00:00:00.000Z
Location: Teatro Verdi

Organization

Conductor

Carlo Ipata

Stage director

Deda Cristina Colonna

Set designer

Manuela Gasperoni

Costume designer

Lighting designer

Michele Della Mea

Singer

Mezzo-soprano

Sonia Prina

Juditha

Soprano

Miriam Carsana

Abra

Francesca Ascioti

Holofernes

Shakèd Bar

Vagaus

Contralto

Federica Moi

Ozias

Teatro Ponchielli di Cremona

Teatro di Pisa

Orchestra

Auser Musici

Others

Coro Arché

Juditha Triumphans -  (Judith Triumphant)

Pisa

Italy

Teatro Verdi

Juditha Triumphans Vivaldi

Public

Private

Judith Triumphant

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Choreographer

Chorus Director

Chorus master

Composer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Sound designer

Stage Manager

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Bass

Tenor

Baritone

Countertenor

Bass-baritone

Alto

Child vocalist

Continuo

Silent

Spoken

The biblical story of Judith, who seduces and beheads the invading Holofernes, was used by Antonio Vivaldi as an allegory to celebrate the Venetian victory over the Turks in August 1716, two months after having strenuously defended the island of Corfu. Indeed, in November of that same year, Vivaldi proposed the "sacred military" oratorio Juditha triumphans in the Ospizio della Pietà where he had worked since 1703. This oratorio is the only existing one of the four that Vivaldi composed and contains pages of extraordinary beauty, such as the one in which Vagaus, servant of Holofernes, discovers the death of his master; for Michael Talbot, distinguished Vivaldi scholar, this is "the most beautiful scene in all of Vivaldi's music".
The intense atmosphere of war is conveyed through dynamic choral writing; Judith's faith and integrity through lyrical and tender writing. Of great interest is the use of many different and relatively rare instruments, such as the viola d'amore, chalumeaux and theorbo , used by Vivaldi to highlight the most significant moments.

English

La storia biblica di Giuditta, che seduce e decapita l’invasore Oloferne, fu usata da Antonio Vivaldi come allegoria per celebrare la vittoria veneziana dei Turchi nell’agosto del 1716, due mesi dopo aver difeso strenuamente l’isola di Corfù. Infatti, nel novembre di quello stesso anno, Vivaldi propose l’oratorio “militare sacro” Juditha triumphans nell’Ospizio della Pietà dove lavorava dal 1703. Questo oratorio è l’unico esistente dei quattro che Vivaldi compose e contiene pagine di straordinaria bellezza, come quella in cui Vagaus, servo di Oloferne, scopre la morte del suo padrone; per Michael Talbot, illustre studioso di Vivaldi, questa è “la scena più bella di tutta la musica di Vivaldi”.
L’intensa atmosfera di guerra è trasmessa attraverso una scrittura corale dinamica; la fede e l’integrità di Judith attraverso una scrittura lirica e tenera. Di grande interesse è l’uso di molti strumenti diversi e relativamente rari, come la viola d’amore, il chalumeaux e la tiorba, usati da Vivaldi per mettere in evidenza i momenti più significativi.

italiano

Judith Triumphant by Vivaldi, sek 19 kov 2023, Nuo (2023/2023), Režisierius Deda Cristina Colonna,, Dirigentas Carlo Ipata, Teatro Verdi, Pisa, Italy

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