Name: Khovanshchina
Start: 2022-09-18T00:00:00.000Z
End: 2022-09-18T00:00:00.000Z
Location: Palco

Organization

Direzione d'orchestra

Pavel Smelkov

Musical Director

Valery Gergiev

Pianoforte

Marina Mishuk

Direzione del coro

Konstantin Rylov

Mezzosoprano

Tatiana Makarchuk

Marfa

Basso

Сергей Севастьянов

Dosifej

Yevgeny Plekhanov

Il Principe Ivan Chovanskij

Tenore

Mingiyan Odzhaev

Il Principe Andrej Chovanskij

Mergen Sandanov

Il Principe Vasilij Golicyn

Baritono

Vyacheslav Vasilyev

Fëdor Šaklovityj

Ilya Astafurov

Scrivano

Primorsky Stage of the Mariinsky Theatre

russo

Khovanshchina -  (Kovancina)

Vladivostok

Russia

Khovanshchina

Public

Kovancina

inglese

Approvato

Palco

Instrumentalist

Violinista

Cellist

Violista

Suonatore di flauto

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Bassist

Accordionist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da Gambist

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composizione

Regia

Libretto

Scenografia

Costumi

Coreografia

Luci

Ballerino/a

Recitazione

Video

Drammaturgia

Traduzione

Sound designer

Maestro accompagnatore

Trucco

Produzione esecutiva

Parrucco

Altro

Stage Manager

Coro

Orchestra

Poeta

Docente di canto

Insegnante

Fotografia

Emittente radiotelevisiva

Illustrator

Scrittura

Scrittura ed esecuzione

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Extra

Singer

Basso-baritono

Controtenore

Soprano

Contralto

Verbale

Voce bianca

Silenzioso

Alto

Continuo

Modest Musorgsky’s Khovanshchina is a distinctive name in Russian operatic music. It is no wonder that critics have dubbed the opera a “chronicle of Russian life”, and the composer himself has named it nothing less than a “national musical drama”. The historical plot and individual music language closely resembling intonations of living speech, a large cast and “speaking” orchestra are the components that have enabled this composition to be of paramount importance.

There is no striking love strand in the opera. This is one of the peculiar features that mark it out of other popular operas. Khovanshchina cuts across other profound and global issues. The bloody strife for power and battle for influence in the largest country, the fidelity and vile betrayal of former friends and allies, the right or proven faith for which people can suffer martyrdom are just some themes risen by the opera. In Khovanshchina, the love between a man and a woman is shown only as an ugly extreme. It is either an overmastering violent passion as between Andrey Khovansky and Emma or a bigoted possessiveness with determination to burn the object of one’s affections rather than to give her to another man as between Andrey Khovansky and Marfa.

Musorgsky’s score is excitingly exuberant and realistic. Various large-scale choral scenes, lyrical arias of heroes and heroines, highly emotional dialogues, and colorful orchestral canvases able to depict everything – from the dawn on the Moscow River to the terrible tragic fire – have generated its own musical universe. This is the reason why performing Khovanshchina in concert is not a middle-ground alternative to performing it in scenery but a self-contained format that allows the public to hear all rich voices and understand all subtleties in this great operatic drama.

Natalia Rogudeeva

English

Kovancina by Mussorgsky, dom 18 set 2022, Da (2022/2022), Direttore d'orchestra Pavel Smelkov, Palco, Vladivostok, Russia

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