Name: La clemenza di Tito
Start: 2006-08-16T00:00:00.000Z
End: 2006-08-29T00:00:00.000Z
Location: Felsenreitschule

Organization

Sänger

Sopran

Barbara Bonney

Servilia

Dirigat

Christopher Moulds

Nikolaus Harnoncourt

Regie

Martin Kušej

Bühnenbild

Jens Kilian

Kostümbild

Bettina Walte

Chordirektion

Andreas Schüller

Lichtgestaltung

Reinhard Traub

Dramaturgie

Regula Rapp

Marion Tiedtke

Tenor

Michael Schade

Titus Vespasianus

Dorothea Röschmann

Vitellia

Veronica Cangemi

Countertenor

Vesselina Kasarova

Sextus

Malena Ernman

Annius

Bass

Luca Pisaroni

Publius

Salzburger Festspiele

Wiener Staatsoper

Others

Konzertvereinigung Wiener Staatsopernchor

Orchestra

Wiener Philharmoniker

Italienisch

La clemenza di Tito -  (Die Milde des Titus)

Salzburg

Österreich

Felsenreitschule

Prague 1791: After Antonio Salieri, due to a lack of time, turned down the offer of the Prague impresario Domenico Guardasoni to write an opera for the coronation of Leopold II as King of Bohemia, the commission was given to his colleague Wolfgang Amadeus Mozart. Under great time pressure, he wrote the opera seria "La clemenza di Tito" (Titus' clemency): while he was still driving from Vienna to Prague, he was busy working on the opera. The literary template is Pietro Metastasio's libretto from 1734, which has already been set to music more than 40 times.

The content is programmatic: in the midst of malicious intrigues and betrayals, the Roman Emperor Tito Vespasiano insists on the sovereign virtue of generosity. The image of the noble, forgiving emperor is to be kept in mind as a model for the future King of Bohemia. Two years after the abolition of aristocratic privileges and after the declaration of human rights by the French Revolution, Mozart composed an endgame of enlightenment under the guise of an opera of homage.

"No one has ever declared the hero in Mozart's last series to be a virtue terrorist as radically and consistently as Kusej. Understanding, forgiveness, mercy - they are just means that an unpredictable autistic person uses to secure his power" (Opernwelt).

Vitellia, the daughter of the former emperor Vitellius, hates Tito because he did not choose her as his wife. She is able to persuade her lover Sesto to take part in a conspiracy against his friend. Shortly thereafter, Tito Sesto asks for the hand of his sister Servilia, who, however, loves Annio. Tito generously gives Servilia back to her lover, while Sesto doubtfully meets with the conspirators.

Then Vitellia gets the news that the Emperor has decided to marry her after all. She desperately tries to stop the conspiracy, but it's too late: the Capitol is on fire. However, Sesto still hesitates to carry out the murder, is arrested and sentenced to death. Tito can't believe his friend betrayed him. Deeply shaken, he has Sesto brought before him. He confesses his sole guilt and remorse to the emperor, but without naming the real reason, because he wants to spare Vitellia. Vitellia decides to confess to Tito that she planned the crime herself. When the condemned are about to be led to the place of execution, she falls at the Emperor's feet and confesses her guilt. Tito is moved and pardons the conspirators. The people cheer the benevolent ruler.

La clemenza di Tito Mozart

Public

Die Milde des Titus

Englisch

Deutsch

Genehmigt

Accordionist

Instrument

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Theorbist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Andere

Chor

Choreographie

Chorus Director

Extra

GesangslehrerIn

Haar

Illustrator

Komposition

Korrepetition

Lehrer

Leitender Produzent

Libretto

Maske

Orchester

Orchestra Operations

Photographer

Poet

Rundfunk

Schauspiel

Stage Manager

Tongestaltung

Tänzer

Videogestaltung

Wig & Makeup Designer

Writer

Writing and performance

Übersetzung

Bariton

Mezzosopran

Bass-Bariton

Alto

Continuo

Kinderstimme

Sprechrolle

Stumme Rolle

From the Salzburg Festival: "La clemenza di Tito" (The Clemency of Titus) by Wolfgang Amadeus Mozart (1756-1791). Conductor: Nikolaus Harnoncourt - Stage director: Martin Kusej. With Michael Schade (Tito Vespasiano), Dorothea Röschmann (Vitellia), Barbara Bonney (Servilia), Vesselina Kasarova (Sesto), Elina Garanca (Annio), Luca Pisaroni (Publio). Mozart was still working on "The Magic Flute" when he was commissioned to write a festive opera for the coronation of Leopold II in Prague as King of Bohemia on 6 September 1791. - Emperor Titus plans to marry Berenice, thus arousing the rage of Vitellia. She urges Sesto, who loves her, to lead a revolt against Titus. After further complications, Titus resolves to marry Vitellia. Vitellia tries to stop Sesto, but in vain: he has burned down the Capitol and tried to kill his best friend Titus. The Emperor escapes, but in the end, Tito is about to show mercy.

English

Die Milde des Titus by Mozart, Di. 29 Aug. 2006, Ab (2006/2006), Unter der Regie von Martin Kušej,, Dirigat Christopher Moulds, Nikolaus Harnoncourt, Felsenreitschule, Salzburg, Österreich

Aufführungskredite (Besetzung & Produktionsteam )

Besetzung

Produktionsteam

Ensemble

Co-Produzent

Programm, Info & Synopsis

Fotos

Weiterführende Literatur

Aufführungstermine & Spielstätten

Veranstaltungsorte