Name: La clemenza di Tito
Start: 2023-01-21T00:00:00.000Z
End: 2023-05-02T00:00:00.000Z
Location: Theater am Domhof

Organization

Direzione d'orchestra

Andreas Hotz

Scenografia

Marc Weeger

Costumi

Direzione del coro

Sierd Quarré

Drammaturgia

Juliane Piontek

Suono

Jan van Triest

Cantante

Tenore

Aljoscha Lennert

Tito Vespasiano

Soprano

Marysol Schalit

Vitellia

Controtenore

Olga Privalova

Sesto

Julie Sekinger

Servilia

Basso

Erik Rousi

Publio

Anna Kudriashova-Stepanets

Annio

Luci

Ernst Schießl

Assistant Director

Stephanie Schümann

Assistant Set Designer

Margarita Bock

Ralf Berning

Regia

Hendrik Müller

Theater Osnabrück

Orchestra

Osnabrücker Symphonieorchester

Others

Opera choir of the Osnabrück Theater

italiano

La clemenza di Tito

Osnabrück

Germania

Theater am Domhof

Titus: La clemenza di Tito

Public

tedesco

Approvato

Accordionist

Strumento

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Continuo

Contrabassist

Cornettist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianista

Recorder Player

Saxophonist

Suonatore di flauto

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinista

Violino Piccolo Player

Violista

Altro

Ballando

Chefdirigent Musiktheater

Chorus Director

Composizione

Coreografia

Coro

Docente di canto

Emittente radiotelevisiva

Extra

Illustrator

Insegnante

Libretto

Maestro ripassatore

Off-Stage Artist

On-Stage Artist

Orchestra Operations

Parrucco

Photographer

Poet

Produzione esecutiva

Recitazione

Stage Manager

Traduzione

Trucco

Video

Wig & Makeup Designer

Writer

Writing and performance

Contralto

Basso-baritono

Baritono

Mezzosoprano

Alto

Mimi

Narrazione

Voce bianca

OPER VON WOLFGANG AMADEUS MOZART Titus Oper · Theater am Domhof Premiere 21.01.2023 Dauer ca. 2 Stunden, 30 Minuten, Pause nach dem 1. Akt  „Ein aufwühlender…

Titus - Generalmusikdirektor Andreas Hotz im Interview

Hand enough, a particularly good one, or does he only do it to increase his own power? This question, already posed by Immanuel Kant, looms over Mozart's last opera LA CLEMENZA DI TITO (Titus' clemency), which he wrote in 1791 for the coronation of Leopold II.

Vitellia, daughter of the assassinated Roman emperor Vitellius, had hoped to be married by Titus and thus return to the throne as the emperor's wife. But Titus ignores her in his marriage plans. To avenge her injured pride, Vitellia plots to assassinate Titus. But the emperor survived the attack. Instead of cruelty, he shows leniency. He forgives the conspirators to make peace.

Appropriately for a coronation opera, in LA CLEMENZA DI TITO Mozart formulates the requirements of a good ruler who has to subordinate his personal inclinations to reasons of state and should always strive for reconciliation. In doing so, Mozart forms the individual characters in the most precise way in terms of music psychology and creates a true drama of relationships in tones.

English

Ist ein Herrscher, der seinen Attentätern verzeihend die Hand reicht, ein besonders guter oder tut er es nur, um seiner eigenen Macht mehr Größe zu verleihen? Diese Frage, die schon Immanuel Kant gestellt hat, schwebt über Mozarts letzter Oper La clemenza di Tito (Die Milde des Titus), die uns in das antike Rom mitnimmt. Vitellia, Tochter des ermordeten römischen Kaisers Vitellius, hatte gehofft, von Titus geheiratet zu werden und somit als Frau des neuen Kaisers auf den Thron zurückkehren zu können. Aber Titus übergeht sie bei seinen Heiratsplänen. Um ihren verletzten Stolz zu rächen, betreibt Vitellia eine Verschwörung mit dem Ziel der Ermordung Titus. Doch der Kaiser überlebt den Anschlag. Statt Grausamkeit lässt er Milde walten. Er verzeiht den Verschwörern, um Frieden zu stiften.

In La clemenza di Tito, 1791 anlässlich der Krönung Leopolds II. geschrieben, formuliert Mozart die idealen Ansprüche an einen guten Herrscher, der seine persönlichen Neigungen der Staatsräson unterzuordnen hat und sich stets um Versöhnung bemühen sollte. Dabei formt Mozart die einzelnen Figuren musikpsychologisch genauestens aus und schafft ein wahres Beziehungsdrama in Tönen.

Deutsch

La clemenza di Tito by Mozart, mar 04 apr 2023, Da (2023/2023), Diretto da Hendrik Müller,, Direttore d'orchestra Andreas Hotz, Theater am Domhof, Osnabrück, Germania

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