Name: La clemenza di Tito
Start: 2015-05-11T00:00:00.000Z
End: 2015-05-11T00:00:00.000Z
Location: Theater an der Wien

Admin

Organization

Singer

Tenor

Benjamin Bruns

Tito

Soprano

Laura Aikin

Vitellia

Sara Hershkowitz

Servilia

Countertenor

Raffaella Milanesi

Sesto

Flavio Ferri-Benedetti

Publio

Yuriy Mynenko

Annio

Conductor

Werner Ehrhardt

MusikTheater an der Wien

Orchestra

Orchester l'arte del mondo

italijanščina

La clemenza di Tito -  (Titus)

Vienna

Austria

Theater an der Wien

Titus

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Contralto

Mezzo-soprano

Bass-baritone

Bass

Baritone

Alto

Child vocalist

Continuo

Silent

Spoken

A production by l'arte del mondo and Bayer Kultur Leverkusen, funded by the Ministry for Family, Children, Youth, Culture and Sport of the State of North Rhine-Westphalia and the Kunststiftung NRW. The guest performance at the Theater an der Wien is supported by the Kunststiftung NRW.

Gluck was supposed to go to Naples for the name celebration of King Charles III. in 1752 write an opera "of a completely different and never-before-heard style". The composer took this invitation to heart and composed a very modern opera, so that the respected composer Francesco Durante was consulted about a controversial passage, who is said to have said: “I do not decide whether this note is a rule or not but what I can say is that if I had written it, I would consider myself a great man. "
Incited by Vitellia, Sesto sets the Capitol on fire to kill Emperor Tito in the tumult. The attack fails. Since Sesto does not want to name his lover as the instigator, he is supposed to die in the amphitheater. But Vitellia confesses her guilt. Tito is lenient and pardons both of them. Pietro Metastasio's well-known and popular text has been an ideal template for paying homage to a monarch since 1734. Gluck succeeded in
breathing new life into the somewhat rigid, typifying figures of the original. Most of the arias from Gluck's La clemenza di Tito are characterized by an intimate sensitivity that Alceste already anticipated on his reormoper .

English

Titus by Gluck, Od (2015/2015), Dirigent Werner Ehrhardt, Theater an der Wien, Vienna, Austria

Krediti za predstavo (Zasedba in producentska ekipa )

Igralska zasedba

Ansambel

Program, O in Sinopsis

Dodatno branje

Datumi in prizorišča nastopov

Lokacija