Organization

Soprano

Erin Morley

Lakme

Tenor

Frédéric Antoun

Gerald

Bass

Alfred Walker

Nilakantha

Baritone

Theo Hoffman

Frederic

Mezzo-soprano

Taylor Raven

Mallika

Megan Esther Grey

Miss Bentson

Washington Concert Opera

Lakmé

Washington D.C.

United States

Lakmé Delibes

Public

Approved

Instrumentalist

Pianist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Bassist

Accordionist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Conductor

Stage director

Librettist

Set designer

Costume designer

Choreographer

Lighting designer

Dancer

Actor

Chorus master

Video designer

Dramaturge

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Orchestra

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Illustrator

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Extra

Bass-baritone

Singer

Countertenor

Contralto

Spoken

Child vocalist

Silent

Alto

Continuo

The late 19th century saw a rise in operas set in what were, at the time, considered to be exotic locations – namely, the Asian continent. Set in India, during the rule of the British Raj, during the late nineteenth century, Delibes’ penultimate opera is widely considered to be his masterpiece and touches on familiar themes of forbidden love, duty, and honor. While not often-performed, the opera is still widely popular, even beyond the ubiquitous “Flower Duet” and “Bell Song”, both of which are prime examples of operatic mainstays in popular culture.

English

Lakmé by Delibes, Sv 22 mai 2022, No (2022/2022)

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