Name: Le comte Ory
Start: 2011-11-17T00:00:00.000Z
End: 2012-05-28T00:00:00.000Z
Location: Opera Theatre

Organization

Direzione d'orchestra

Didier Talpain

Regia

Emmanuelle Cordoliani

Scenografia

Todor Ignatov

Luci

Vincent Muster

Costumi

Julie Scobeltzine

Cantante

Tenore

Valeriy Georgiev

Il conte Ory

Basso

Geo Chobanov

Il precettore

Delyan Slavov

Mezzosoprano

Vyara Zhelezova

Isolier

Blagovesta Stateva

Baritono

Plamen Dimitrov

Raimbaud

Svilen Nikolov

Soprano

Irina Zhekova

La contessa Adele di Formoutiers

Iva Ionova

Silvia Angelova

Ragonde

Galina Velikova

Alice

State Opera Varna

Le comte Ory -  (Il conte Ory)

Varna

Bulgaria

Opera Theatre

Le comte Ory Rossini

Public

Approvato

Accordionist

Strumento

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianista

Recorder Player

Saxophonist

Suonatore di flauto

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinista

Violino Piccolo Player

Violista

Altro

Ballando

Chorus Director

Composizione

Coreografia

Coro

Direzione del coro

Docente di canto

Drammaturgia

Emittente radiotelevisiva

Extra

Illustrator

Insegnante

Libretto

Maestro ripassatore

Orchestra

Orchestra Operations

Parrucco

Photographer

Poet

Produzione esecutiva

Recitazione

Stage Manager

Suono

Traduzione

Trucco

Video

Wig & Makeup Designer

Writer

Writing and performance

Basso-baritono

Contralto

Controtenore

Alto

Continuo

Mimi

Narrazione

Voce bianca

In 1822, only 30 years old, but already widely recognized as an idol of the Italian National Opera, Gioachino Rossini met Ludwig van Beethoven - 51 years old, deaf, quarrelsome and in very poor health.
Communicating with him by writing (because he could not hear him), Beethoven remarked: "Ah, Rossini! So you are the one who created The Barber of Seville! Congratulations! As long as Italian opera exists, I will continue to play. Never try to write anything other than opera buff - any other style would be violence against your own nature "...

At the age of 38, Gioachino Rossini already has 38 operas behind him. "Count Ori" together with "Wilhelm Tell" is one of the last among them. It was created in 1828 as part of the musical material in it is borrowed from another of his works - "Journey through Reims", written three years earlier for the coronation of the French king - Charles H.

"Count Ori" is a comic opera and recreates a humorous story, but there are still many differences with the modern genre of "opera comedian": while the latter is usually built on short lyrical numbers and spoken dialogues, "Count Ori" contains "highly sustained, even massive musical forms ”, accompanied by an accompanying recitative.

And although here we find Rossini's characteristic floral orchestration, her short overture is rather strange, ending with a sigh-like pizzicato in string instruments.

The premiere of "The Count of Orie" was on August 20, 1828 at the Paris Opera under the direction of Francois Antoine Habenek. She once again brought Rossini fame, giving him endless popularity for 20 years.
A few months after the Paris performance, the opera was staged at the Royal Opera House in London, in Italian!

Two years later, on December 16, 1830, it premiered in New Orleans at the Théâtre d'Orléans, and on August 22, 1831, in New York.

English

Il conte Ory by Rossini, gio 17 nov 2011, Da (2011/2012), Diretto da Emmanuelle Cordoliani,, Direttore d'orchestra Didier Talpain, Opera Theatre, Varna, Bulgaria

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