Organization

Singer

Bass

Robert Gleadow

Figaro

Soprano

Arianna Vendittelli

Susanna

Baritone

Phillip Addis

The Count of Almaviva

Valentina Naforniță

The Countess of Almaviva

Mezzo-soprano

Léa Desandre

Cherubino

Rubén Amoretti

Bartolo

Lucia Cirillo

Marcelline

Tenor

Pablo Garcia Lopez

Basilio

Sophie Negoïta

Barbarina

Alexandre Diakoff

Antonio

Stage director

James Gray

Gilles Rico

Conductor

Frank Beermann

Lighting designer

Bertrand Couderc

Costume designer

Christian Lacroix

Set designer

Santo Loquasto

Choreographer

Glyslein Lefever

Chorus master

Pascal Mayer

François Piolino

Don Curzio

Opéra de Lausanne

Opéra national de Lorraine

Théâtre des Champs-Elysées

Théâtres de la Ville de Luxembourg

Others

Chœur de l'Opéra de Lausanne

LA Opera

Orchestre de Chambre de Lausanne

Le nozze di Figaro -  (The Marriage of Figaro)

Producer

Lausanne

Switzerland

Le nozze di Figaro Mozart

Private

The Marriage of Figaro

Approved

When Mozart proposed to librettist Da Ponte in 1786 that they adapt Beaumarchais ‘The Marriage of Figaro, the piece had already been the subject of much controversy in France and in Austria. The libretto was created in secret and completed in just six weeks, and, thanks to the influence of Da Ponte, it received the emperor’s endorsement despite Beaumarchais’ satirical attacks on the feudal society of the time.

“At the end of the opera, I thought that the spectators would not stop applauding and calling for Mozart. All the numbers were encored, which made the performance last almost as long as two operas. Never was there more complete triumph than of Mozart and his Nozze di Figaro.” The same can be said to this day.”

English

Crèdits de representació (Repartiment i equipatge )

Repartiment

Tripulació

Conjunt

Coproductor