Organization

Conductor

Pavel Bubelnikov

Stage director

Alexander Petrov

Costume designer

Yuliana Koshkina

Choreographer

Irina Novik

Lighting designer

Alexander Kibitkin

Singer

Tenor

Nikolay Sisak

Basilio

Bass

Andrey Udalov

Bartolo

Alexander Podmeshalsky

Antonio

Kirill Kostromin

Don Curzio

Soprano

Olga Vasilyeva

Susanna

Mezzo-soprano

Anna Evtushenko (Nedorezova)

Cherubino

Sergey Ermolaev

Andrey Prys

Figaro

Baritone

Sergei Romanov

The Count of Almaviva

Maria Granichnova

The Countess of Almaviva

Yulia Andrushkevich

Marcelline

Lyudmila Okel

Barbarina

Set designer

Alexey Levdansky

The St. Petersburg State Children's Musical Theater “Zazerkalye”

italiană

Le nozze di Figaro -  (The Marriage of Figaro)

Saint Petersburg

Russia

Children's Musical Theater "Through the Looking Glass" (Zazerkal'ye)

Le nozze di Figaro Mozart

Public

The Marriage of Figaro

rusă

Approved

Children's Musical Theater "Through the Looking Glass" (Zazerkal

Здесь Моцарт полностью раскрылся как гениальный драматург и мелодист. В «Свадьбе Фигаро» ему первому в истории оперного театра удалось раскрыть характеры героев, их отношения и переживания, а также представить комедию положений и все перипетии «безумного дня»   музыкальными средствами.

После триумфального исполнения оперы в Праге, Моцарт писал своему другу: «Здесь ни о чем другом не говорят, кроме как о „Фигаро“, ничего не играют, не хвалят, не насвистывают и не напевают, кроме как „Фигаро“, никаких других опер не слушают — только „Фигаро“».  И вот уже более двухсот лет эту оперу стремятся ставить, петь, слушать.

русский

Here Mozart fully revealed himself as a brilliant playwright and melodist. In “The Marriage of Figaro,” he was the first in the history of the opera house to reveal the characters’ characters, their relationships and experiences, as well as to present a sitcom and all the vicissitudes of a “crazy day” through musical means.

After the triumphant performance of the opera in Prague, Mozart wrote to his friend: “Here they talk about nothing else except Figaro, nothing is played, they do not praise, they do not whistle or sing except Figaro, no other operas.” They don’t listen—only Figaro.” And for more than  two hundred years people have been trying to stage, sing, and listen to this opera.

English

Creditele spectacolului (Distribuție și Echipa )

Distribuție

Echipajul