Name: Le nozze di Figaro
Start: 2012-11-17T00:00:00.000Z
End: 2013-03-08T00:00:00.000Z
Location: Musiktheater im Revier

Organization

Cantante

Baritono

Michael Dahmen

Il Conte di Almaviva

Soprano

Petra Schmidt

La Contessa di Almaviva

Alfia Kamalova

Susanna

Dorin Rahardja

Basso

Piotr Prochera

Figaro

Mezzosoprano

Anke Sieloff

Cherubino

Almuth Herbst

Marcellina

Tenore

E. Mark Murphy

Basilio

Sun-Myung Kim

Don Curzio

Dong-Won Seo

Bartolo

Nikolai Miassojedov

Antonio

Barbarina

Tina Stegemann

Direzione d'orchestra

Valtteri Rauhalammi

Regia

Peter Hailer

Costumi

Uta Meenen

Scenografia

Etienne Pluss

Drammaturgia

Juliane Schunke

Musiktheater im Revier

italiano

Le nozze di Figaro

Gelsenkirchen

Germania

Le nozze di Figaro Mozart

Public

tedesco

Approvato

Accordionist

Strumento

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianista

Recorder Player

Saxophonist

Suonatore di flauto

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinista

Violino Piccolo Player

Violista

Altro

Ballando

Chorus Director

Composizione

Coreografia

Coro

Direzione del coro

Docente di canto

Emittente radiotelevisiva

Extra

Illustrator

Insegnante

Libretto

Luci

Maestro ripassatore

Orchestra

Orchestra Operations

Parrucco

Photographer

Poet

Produzione esecutiva

Recitazione

Stage Manager

Suono

Traduzione

Trucco

Video

Wig & Makeup Designer

Writer

Writing and performance

Contralto

Basso-baritono

Controtenore

Alto

Continuo

Mimi

Narrazione

Voce bianca

Graf Almaviva setzt alles daran, die Hochzeit seines Dieners Figaro mit der Zofe Susanna zu verhindern. Er will sie für sich selbst gewinnen, zumal seine Gefühle für die ihn aufrichtig liebende Gräfin Rosina längst erkaltet sind. Auch Marcellina bedroht die Hochzeitsvorbereitungen: Figaro hatte ihr einst die Ehe versprochen, nun will sie gemeinsam mit Doktor Bartolo und Musiklehrer Basilio ihre Ansprüche geltend machen. Schließlich ist da noch der Page Cherubino, der nicht nur die Gräfin in Verwirrung stürzt ... Allerhand Verwechslungen und Intrigen müssen ihren Lauf nehmen, bevor die rechtmäßigen Paare zueinander finden. Am Ende bleibt die trügerische Hoffnung, der Liebe könnte Dauer beschieden sein.
„Der tolle Tag oder Die Hochzeit des Figaro“ lautet der Titel des Schauspiels von Pierre Augustin Caron de Beaumarchais, das Wolfgang Amadeus Mozart und sein Librettist Lorenzo da Ponte als Stoffgrundlage für ihre Oper wählten. Beaumarchais‘ bissiger Angriff auf feudale Willkürherrschaft wurde wegen der wachsenden Spannungen zwischen Adel und Bürgertum verboten, da Pontes gemäßigteres Libretto, dessen Handlung die Geschichte des „Barbiere di Siviglia“ fortspinnt, gab Kaiser Joseph II. jedoch zur Aufführung frei, obwohl es kaum weniger revolutionären Sprengstoff enthielt. Ihre Aktualität bezieht die Oper aus der Aufforderung, als Spiel mit dem Feuer ein Gegen- und Miteinander immer wieder neu zu wagen: Die „unerträgliche Leichtigkeit des Seins“ als Fundament eines humanen Ringens um Liebe und Anerkennung.

Deutsch

Count Almaviva does everything in his power to prevent his servant Figaro from marrying his maid Susanna. He wants to win her over for himself, especially since his feelings for Countess Rosina, who genuinely loves him, have long since cooled off. Marcellina also threatens the wedding preparations: Figaro had once promised her marriage, now she wants to assert her claims together with Doctor Bartolo and music teacher Basilio. Finally, there is the page Cherubino, who not only throws the Countess into confusion ... All sorts of confusion and intrigues have to take their course before the rightful couples find each other. In the end, there remains the deceptive hope that love could endure.
"The Mad Day or The Marriage of Figaro" is the title of the play by Pierre Augustin Caron de Beaumarchais, which Wolfgang Amadeus Mozart and his librettist Lorenzo da Ponte chose as the basis for their opera. Beaumarchais' scathing attack on feudal despotism was banned because of growing tensions between the nobility and the bourgeoisie, but da Ponte's more moderate libretto, whose plot continues the story of the 'Barbiere di Siviglia', was approved by Emperor Joseph II for performance, although it was no less revolutionary contained explosives. The opera derives its topicality from the call to dare to play against and with each other again and again as a game with fire: the “intolerable lightness of being” as the foundation of a humane struggle for love and recognition.

English

Le nozze di Figaro by Mozart, mar 25 dic 2012, Da (2012/2013), Diretto da Peter Hailer,, Direttore d'orchestra Valtteri Rauhalammi, Musiktheater im Revier, Gelsenkirchen, Germania

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