Organization

Regisseur

Krešimir Dolenčić

Dirigent

Simon Krečič

Zanger

Soprano

Urška Arlič Gololičič

Adina

Nina Dominko

Tenor

Dejan Maksimilijan Vrbančič

Nemorino

Edvard Strah

Martin Sušnik

Baritone

Ivan Andres Arnšek

Belcore

Bass

Zoran Potočan

Il dottore Dulcamara

Tomaž Štular

Urška Kastelic

Giannetta

Štefica Stipančevič

Licht ontwerper

Andrej Hajdinjak

Set designer

Andrej Stražišar

Choreograaf

Claudia Sovre

Koor meester

Zeljka Ulčnik Remic

Assistant Director

Simona Pinter

Choir Accompanist

Marina Đonlić

Nika Gorič

Kostuum ontwerper

Alan Hranitelj

Saša Čano

Rok Bavčar

SNG Opera in balet Ljubljana

Others

Opera Chorus SNG Opera in balet Ljubljana

Orchestra

Orchestra SNG Opera and Ballet Ljubljana

L'elisir d'amore

Ljubljana

Slovenië

L'elisir d'amore Donizetti

Public

Approved

Več o predstavi na https://www.opera.si/sl/program/predstava/opera/ljubezenski-napoj/?d=1674

Gaetano Donizetti (1797-1848), the master of the bel canto period and Italian romantic opera, had a strong influence on the development of opera art during the period when the operatic stars of Rossini and Verdi were shining. He composed an enviable 75 opera works in Italian and French, as well as numerous instrumental and vocal works. As a talented opera composer, Donizetti established himself on opera stages from Venice to Rome and Naples. In 1830, when he was invited to Milan, his opera Anna Bolenaexperienced great success, he established himself in the international arena overnight, became independent from Naples and received a great artistic impetus. Donizetti's new works came one after the other, he composed with extraordinary speed, and although many of them languished in the archives, some of his opera creations were still successful and are still a fixture on the stages of opera houses around the world, among them especially The Love Potion (1831), Lucy of Lammermoor (1835), The Regiment's Daughter (1849) and Don Pasquale (1849).

The librettist Felice Romani took Scribo's libretto for Auber's fashionable French opera Le Philtre (1831) and transferred it to the Italian space, and Donizzeti then composed his fourteenth opera and the first complete work of art of the unpretentious comic genre in just two weeks. Many place the work alongside Rossini 's The Barber of Seville , in which the light story is interwoven with polished humor, and the opera is also characterized by a distinct Donizetti melody, which reaches its peak in the popular cavatina Una furtiva lacrima.

Seasoned opera director Krešimir Dolenčić returns to the stage of the Ljubljana Opera after the hit The Barber of Seville. The orchestra and singers will be led by guest maestro Simon Krečič

English

Gaetano Donizetti (1797–1848), mojster obdobja belkanta in italijanske romantične opere, je imel močan vpliv na razvoj operne umetnosti v obdobju, ko sta žareli operni zvezdi Rossinija in Verdija. Skomponiral je zavidljivih 75 opernih del v italijanskem in francoskem jeziku ter številna instrumentalna in vokalna dela. Donizetti se je kot nadarjen operni skladatelj uveljavljal na opernih odrih od Benetk do Rima in Neaplja. Leta 1830, ko je bil povabljen v Milano, je njegova opera Anna Bolena doživela velik uspeh, čez noč se je uveljavil v mednarodnem prostoru, se osamosvojil od Neaplja in dobil velik umetniški zagon. Nova Donizettijeva dela so se vrstila eno za drugim, skladal je z izjemno hitrostjo in čeprav so številna med njimi obležala v arhivih, so nekatere operne stvaritve vendarle požele uspeh in so še danes stalnica na odrih opernih hiš po vsem svetu, med njimi zlasti Ljubezenski napoj (1831), Lucija Lammermoorska (1835), Hči polka (1849) in Don Pasquale (1849).

Libretist Felice Romani je povzel Scribov libreto Auberove modne francoske opere Le Philtre (1831) in ga prenesel v italijanski prostor, Donizzeti pa je zatem svojo štirinajsto operno in prvo dovršeno umetnino nezahtevnega komičnega žanra skomponiral v pičlih dveh tednih. Mnogi delo postavljajo ob bok Rossinijevemu Seviljskemu brivcu, v njem je lahkotna zgodba prepletena z izbrušenim humorjem, opero pa odlikuje tudi izrazita donizzetijevska melodika, ki doseže svoj vrh v priljubljeni kavatini Una furtiva lacrima.

Na oder ljubljanske Opere se po uspešnici Seviljski brivec vrača prekaljeni operni režiser Krešimir Dolenčić. Orkester in pevce bo vodil gostujoči maestro Simon Krečič.

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Productieteam

Ensemble