Name: Leonardo García Alarcón Cappella Mediterranea
Start: 2022-04-05T00:00:00.000Z
End: 2022-04-05T00:00:00.000Z
Location: Auditorium

Organization

Conductor

Leonardo García Alarcón

Singer

Soprano

Ilse Eerens

Mezzo-soprano

Dara Savinova

Tenor

Valerio Contaldo

Fabio Trümpy

Bass

André Morsch

Christian Immler

Opéra de Dijon

Others

Cappella Mediterranea

Chœur de Chambre de Namur

Leonardo García Alarcón Cappella Mediterranea

Dijon

France

Auditorium

Public

Concert

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Baritone

Countertenor

Contralto

Bass-baritone

Alto

Child vocalist

Continuo

Silent

Spoken

A veritable opus metaphysicum of Western culture, the St. Matthew Passion constitutes an extreme dramatic and musical experience, where the art of the "Cantor of Leipzig" reaches its peak of harmonic density and spiritual depth.

All superlatives are in order to qualify this overwhelming drama of the Passion, whose dramatic springs rival those of any opera and in which Bach is, in the words of André Suarès, the "Nightingale of the Cross". . Thanks to two large parts, the sung account of the last works of Christ by the Evangelist is punctuated by large chorales (some of which are due to Luther), vast choruses (including the unforgettable Overture), and moving Arias, the most famous of which, “  Erbame dich, mein Gott  ” evokes the tears of Saint-Pierre after the denial.

English

Leonardo García Alarcón Cappella Mediterranea by Various, ti 05 huhti 2022, Alkaen (2022/2022), Musiikinjohto Leonardo García Alarcón, Auditorium, Dijon, France

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