Name: Les contes d'Hoffmann
Start: 2015-01-30T00:00:00.000Z
End: 2015-02-01T00:00:00.000Z
Location: Teatro Municipale Valli

Admin

Organization

Direzione d'orchestra

Christopher Franklin

Regia

Nicola Berloffa

Costumi

Valeria Donata Bettella

Scenografia

Fabio Cherstich

Cantante

Basso

Olivier Dejean

Crespel

Luther

Basso-baritono

Simone Alberghini

Lindorf

Coppelius

Dottor Miracle

Tenore

Florian Cafiero

Andrès

Frantz

Spalanzani

Andrea Bianchi

Wolfram

Direzione del coro

Corrado Casati

Luci

Luca Antolini

Giorgio Berrugi

Hoffmann

Soprano

Elisa Cenni

Olympia

Maria Katzarava

Antonia

Stella

Giulietta

Mezzosoprano

Violette Polchi

La Muse

Nicklausse

Baritono

Josef Škarka

Schlemil

Hermann

Oreste Cosimo

Nathanael

Cochenille

Alessio Verna

Guglielmo

Dapertutto

Pitichinaccio

Aline Martin

La voce della madre

Fondazione Teatri di Piacenza

I Teatri di Reggio Emilia

Teatro Comunale di Modena

Others

Coro del Teatro Municipale di Piacenza

Orchestra

Orchestra dell'Emilia Romagna Arturo Toscanini (OERAT)

Teatro Valli di Reggio Emilia

Les contes d'Hoffmann -  (I racconti di Hoffmann)

Reggio nell'Emilia

Italia

Teatro Municipale Valli

Les contes d'Hoffmann

Public

Private

I racconti di Hoffmann

Approvato

Accordionist

Strumento

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Continuo

Contrabassist

Cornettist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianista

Recorder Player

Saxophonist

Suonatore di flauto

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinista

Violino Piccolo Player

Violista

Altro

Ballando

Chefdirigent Musiktheater

Chorus Director

Composizione

Coreografia

Coro

Docente di canto

Drammaturgia

Emittente radiotelevisiva

Extra

Illustrator

Insegnante

Libretto

Maestro ripassatore

Orchestra Operations

Parrucco

Photographer

Poet

Produzione esecutiva

Recitazione

Stage Manager

Suono

Traduzione

Trucco

Video

Wig & Makeup Designer

Writer

Writing and performance

Contralto

Controtenore

Alto

Mimi

Narrazione

Voce bianca

"Offenbach's opera is a mysterious work since its creation: the composer died before finishing the composition, the autograph score burned and since then they have searched cellars and old attics around France and Belgium in search of shreds of the ingenious original composition; over the years the critical editions have multiplied with enormous differences and variations. We will perform, for the first time in Italy, the Kaye / Keck version, the one that comes closest to the original idea with delicious musical pearls still unknown to Italian spectators. On stage we will find ourselves in Nuremberg, in a room that in terms of taste and style recalls a Biedermeier drawing room; a large fireplace, dark boiseries and heavy curtains will reveal new elements and characters ". (Nicola Berloffa)

"A mechanical doll, a salesman of human eyes, an irresistible courtesan who steals the reflection of her lovers, and even a visit from the afterlife from a mother to her dying daughter compete for the stage, because she sings too much ... all told by a drunk poet . It is never clear in these stories what illusion is and what reality is. All these stories are based on those of ETA Hoffmann, author among other things of the story The Nutcracker, on which Tchaikovsky's famous ballet is based. ETA Hoffmann is considered one of the greatest exponents of the German romantic style, but with a decidedly fantastic, and slightly macabre flavor. In fact, Offenbach, when he decided to put these stories to music, composed equally singular and almost onomatopoeic music. One hears the mechanical ticking of the doll in the orchestral accompaniment of the harp, flute and pizzicati, the diabolical intentions whenever one of the four evil manifestations of the bass-baritone appears, the student choir getting drunk in Luther's tavern, and also Antonia's fragile heart beating in the orchestra in the third Act.
The main problem that presents itself to anyone who prepares a production of Les Contes d'Hoffmann lies in the fact that there are eight editions of the work, from 1881 to 2009, and also the first performance took place posthumously, so you will never know which official version would have preferred Offenbach. It must also be said that the orchestration of the work was not complete when the composer died, so there are many uncertainties to be resolved. Even the most famous piece of the opera, the beloved Barcarola, was not even part of the original score, but it was Ernest Guiraud, in charge of finishing the orchestration after the author's death, who decided to insert a barcarola at the beginning of the 'Act of Juliet; this piece "Belle nuit, o nuit d'amour" was in fact composed by Offenbach as "Song of the Elves" for his work Die Rheinnixen in 1864, 15 years earlier ". (Christopher Franklin)

English

I racconti di Hoffmann by Offenbach, dom 01 feb 2015, Da (2015/2015), Diretto da Nicola Berloffa,, Direttore d'orchestra Christopher Franklin, Teatro Municipale Valli, Reggio nell'Emilia, Italia

Crediti di rappresentazione (Cast e team di produzione )

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Ensemble

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