Name: L'incoronazione di Poppea
Start: 2006-05-12T00:00:00.000Z
End: 2006-05-20T00:00:00.000Z
Location: Teatro Avenida

Organization

Dirigat

Juan Manuel Quintana

Regie

Rita de Letteriis

Bühnenbild

Santiago Elder

Lichtgestaltung

Eli Sirlin

Buenos Aires Lírica

Others

Ensamble I Febiarmonici con instrumentos originales

L'incoronazione di Poppea -  (Die Krönung der Poppea)

Buenos Aires

Argentinien

Teatro Avenida

Work Title: L'incoronazione di Poppea   
Composer: Monteverdi Claudio   
Libretto: Giovanni Francesco Busenello

Teatro Colón

L'incoronazione di Poppea Monteverdi

Public

Die Krönung der Poppea

Genehmigt

Accordionist

Instrument

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Theorbist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Andere

Chor

Chordirektion

Choreographie

Chorus Director

Dramaturgie

Extra

GesangslehrerIn

Haar

Illustrator

Komposition

Korrepetition

Kostümbild

Lehrer

Leitender Produzent

Libretto

Maske

Orchester

Orchestra Operations

Photographer

Poet

Rundfunk

Schauspiel

Stage Manager

Tongestaltung

Tänzer

Videogestaltung

Wig & Makeup Designer

Writer

Writing and performance

Übersetzung

Countertenor

Sänger

Mezzosopran

Bass-Bariton

Tenor

Bariton

Sopran

Bass

Alto

Continuo

Kinderstimme

Sprechrolle

Stumme Rolle

Again, Buenos Aires Lírica gave us a show of excellence with aesthetic coherence and artistic solidity in a repertoire rarely frequented in the Argentina. The leading couple, led by the soprano Patricia González
(Poppea) and the Chilean mezzo-soprano Evelyn Ramírez (Nerone), turned out to be solvent and well amalgamated.
With a well-pitched voice and histrionic authority, Marcos Fink composed a Seneca with noble accents. Excellent soprano Soledad de la Rosa, who adapted her singing line to the baroque emission and achieved moments of beauty and subtlety worthy of the highest praise both as Virtú in the prologue and in her characterization of Drusilla in the rest of the opera .
With an expansive song, perhaps at some point a little removed from the baroque conception, mezzo Eugenia Fuente personified a credible and heartbreaking Ottavia. With a coupled emission and moving accents, the countertenor Martín Oro composed the spiteful Ottone. Of the secondary roles, all well served and with homogeneous performance, the work of Vanesa Mautner and José Lemos cannot fail to stand out.

English

Die Krönung der Poppea by Monteverdi, So. 14 Mai 2006, Ab (2006/2006), Unter der Regie von Rita de Letteriis,, Dirigat Juan Manuel Quintana, Teatro Avenida, Buenos Aires, Argentinien

Aufführungskredite (Besetzung & Produktionsteam )

Produktionsteam

Ensemble

Programm, Info & Synopsis

Fotos

Weiterführende Literatur

Aufführungstermine & Spielstätten

Veranstaltungsorte