Name: L'italiana in Algeri
Start: 2018-08-08T00:00:00.000Z
End: 2018-08-19T00:00:00.000Z
Location: Haus für Mozart

Admin

Organization

Sänger

Mezzosopran

Cecilia Bartoli

Isabella

Bass

Ildar Abdrazakov

Mustafa

Tenor

Edgardo Rocha

Lindoro

Bariton

Alessandro Corbelli

Taddeo

José Coca Loza

Haly

Sopran

Rebeca Olvera

Elvira

Rosa Bove

Zulma

Dirigat

Jean-Christophe Spinosi

Regie

Moshe Leiser

Patrice Caurier

Bühnenbild

Christian Fenouillat

Kostümbild

Auguste Cavalca

Lichtgestaltung

Christophe Forey

Dramaturgie

Christian Arseni

Salzburger Festspiele

Others

Ensemble Matheus

Philharmonia Chorus

Italienisch

L'italiana in Algeri -  (Die Italienerin in Algier)

Salzburg

Österreich

Haus für Mozart

"The role of Isabella is sung to perfection by Cecilia Bartoli - a bright, independent woman with an adventurous attitude" (The New York Times). Bartoli's magnificent performance in Gioachino Rossini's L'Italiana in Algeri at the Salzburg Festival, directed by BAFTA-winning director duo Moshe Leiser and Patrice Caurier, is a highlight of the Rossini celebrations marking the 150th anniversary of the composer's death. Unitel has captured the Italian opera star's excellent performance in a rare audiovisual recording.

In this lively comedy, every look and every hand gesture brings Isabella to life: Bartoli presents the spirited Italian with fire, finesse and extraordinary acting skills - "a Rossini masterclass" (Bachtrack). Her Isabella is a strong, independent woman who has no intention of accepting the advances of the powerful Mustafà. In the Leiser/Caurier staging, which plays with prejudiced notions about opposing cultures, Mustafà is no longer an Ottoman bey, but a kind of local gangster smuggling electronics in the port of modern-day Algeria. In Christian Fenouillat's colorful sets, Ildar Abdrazakov sings the lascivious macho and looks for joy and "great comic talent" (Salzburger Nachrichten) after a love affair with the beautiful Italian. Edgardo Rocha's bright tenor scales the heights effortlessly, making his performance as Isabella's lover Lindoro fluid and highly emotional. Rebeca Olvera sings Elvira, who finally regains her husband's favours, with ease and beauty, while José Coca Lozas Haly impresses with his short aria in which he praises Italian women. With Alessandro Corbelli as the clumsy Taddeo, laughs are guaranteed. Conductor Jean-Christophe Spinosi, sensitive to the intricacies and sparkle of Rossini's score, leads the excellent ensemble Matheus in a "beguiling performance" (The New York Times). Edgardo Rocha's bright tenor scales the heights effortlessly, making his performance as Isabella's lover Lindoro fluid and highly emotional. Rebeca Olvera sings Elvira, who finally regains her husband's favours, with ease and beauty, while José Coca Lozas Haly impresses with his short aria in which he praises Italian women. With Alessandro Corbelli as the clumsy Taddeo, laughs are guaranteed. Conductor Jean-Christophe Spinosi, sensitive to the intricacies and sparkle of Rossini's score, leads the excellent ensemble Matheus in a "beguiling performance" (The New York Times). Edgardo Rocha's bright tenor scales the heights effortlessly, making his performance as Isabella's lover Lindoro fluid and highly emotional. Rebeca Olvera sings Elvira, who finally regains her husband's favours, with ease and beauty, while José Coca Lozas Haly impresses with his short aria in which he praises Italian women. With Alessandro Corbelli as the clumsy Taddeo, laughs are guaranteed. Conductor Jean-Christophe Spinosi, sensitive to the intricacies and sparkle of Rossini's score, leads the excellent ensemble Matheus in a "beguiling performance" (The New York Times). while José Coca Lozas impresses Haly in his short aria praising Italian women. With Alessandro Corbelli as the clumsy Taddeo, laughs are guaranteed. Conductor Jean-Christophe Spinosi, sensitive to the intricacies and sparkle of Rossini's score, leads the excellent ensemble Matheus in a "beguiling performance" (The New York Times). while José Coca Lozas impresses Haly in his short aria praising Italian women. With Alessandro Corbelli as the clumsy Taddeo, laughs are guaranteed. Conductor Jean-Christophe Spinosi, sensitive to the intricacies and sparkle of Rossini's score, leads the excellent ensemble Matheus in a "beguiling performance" (The New York Times).

L'italiana in Algeri Rossini

Public

Die Italienerin in Algier

Deutsch

Englisch

Genehmigt

Accordionist

Instrument

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Theorbist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Andere

Chor

Chordirektion

Choreographie

Chorus Director

Extra

GesangslehrerIn

Haar

Illustrator

Komposition

Korrepetition

Lehrer

Leitender Produzent

Libretto

Maske

Orchester

Orchestra Operations

Photographer

Poet

Rundfunk

Schauspiel

Stage Manager

Tongestaltung

Tänzer

Videogestaltung

Wig & Makeup Designer

Writer

Writing and performance

Übersetzung

Countertenor

Bass-Bariton

Alto

Continuo

Kinderstimme

Sprechrolle

Stumme Rolle

L'italiana in Algeri with Cecilia Bartoli from the Salzburg Festival Conductor: Jean-Christophe Spinosi | Directed by: Moshe Leiser Patrice Caurier See the whole opera here:https://www.myfidelio.at/rossini-l-it...

conducted by: Jean-Christophe Spinosi | satged by:Moshe Leiser and Patrice Caurier
See the whole opera here: https://www.myfidelio.at/rossini-l-it...

"The role of Isabella is sung to perfection by Cecilia Bartoli - a bright, independent woman with an adventurous attitude" (The New York Times). Bartoli's magnificent performance in Gioachino Rossini's L'Italiana in Algeri at the Salzburg Festival, directed by BAFTA-winning director duo Moshe Leiser and Patrice Caurier, is a highlight of the Rossini celebrations marking the 150th anniversary of the composer's death. Unitel has captured the Italian opera star's excellent performance in a rare audiovisual recording. In this lively comedy, every look and every hand gesture brings Isabella to life: Bartoli presents the spirited Italian with fire, finesse and extraordinary acting skills - "a Rossini masterclass" (Bachtrack). Her Isabella is a strong, independent woman who has no intention of accepting the advances of the powerful Mustafà. In the Leiser/Caurier staging, which plays with prejudiced notions about opposing cultures, Mustafà is no longer an Ottoman bey, but a kind of local gangster smuggling electronic goods in the port of present-day Algeria. In Christian Fenouillat's colorful sets, Ildar Abdrazakov sings the lascivious macho and, with joy and "great comic talent" (Salzburger Nachrichten), searches for a love affair with the beautiful Italian. Edgardo Rocha's bright tenor scales the heights effortlessly, making his performance as Isabella's lover Lindoro fluid and highly emotional. Rebeca Olvera sings Elvira, who finally wins her husband's favor again, with ease and beauty, while José Coca Lozas Haly impresses in his short aria praising Italian women. With Alessandro Corbelli as the clumsy Taddeo, laughs are guaranteed. Conductor Jean-Christophe Spinosi, sensitive to the intricacies and sparkle of Rossini's score, leads the excellent ensemble Matheus in a "beguiling performance" (The New York Times). Composer: Gioachino Rossini Conductor: Jean-Christophe Spinosi Orchestra: Ensemble Matheus Staging: Moshe Leiser Patrice Caurier Costumes: Agostino Cavalca Soloists Singing: Cecilia Bartoli (Isabella) Ildar Abdrazakov (Mustafà) Edgardo Rocha (Lindoro) Alessandro Corbelli (Taddeo) José Coca Loza (Haly) Rebeca Olvera (Elvira) Rosa Bove (Zulma) Choir: Philharmonia Choir Vienna Choir direction: Walter Zeh Photo direction: Tiziano Mancini Festival: Salzburg Festival Venue: Haus für Mozart Production year: 2018 Genres: Opera (Progressive) Era: Romanticism Audio languages: Italian fidelio - your digital meeting place for classical music www.myfidelio.at www.facebook.com/myfidelio www.instagram.com/myfidelio_at www.twitter.com/myfidelio_at blog.myfidelio.at Courtesy of Unitel GmbH & Co. KG | © UNITEL 2018 licensed to: Klassik Digital Vertriebs GmbH Content used with kind permission of the respective copyright owner | © UNITEL 2018 licensed to: Klassik Digital Vertriebs GmbH com/myfidelio_at www.twitter.com/myfidelio_at blog.myfidelio.at Courtesy of Unitel GmbH & Co. KG | © UNITEL 2018 licensed to: Klassik Digital Vertriebs GmbH Content used with kind permission of the respective copyright owner | © UNITEL 2018 licensed to: Klassik Digital Vertriebs GmbH com/myfidelio_at www.twitter.com/myfidelio_at blog.myfidelio.at Courtesy of Unitel GmbH & Co. KG | © UNITEL 2018 licensed to: Klassik Digital Vertriebs GmbH Content used with kind permission of the respective copyright owner | © UNITEL 2018 licensed to: Klassik Digital Vertriebs GmbH

Die Italienerin in Algier by Rossini, Sa. 11 Aug. 2018, Ab (2018/2018), Unter der Regie von Moshe Leiser, Patrice Caurier,, Dirigat Jean-Christophe Spinosi, Haus für Mozart, Salzburg, Österreich

Aufführungskredite (Besetzung & Produktionsteam )

Besetzung

Produktionsteam

Ensemble

Programm, Info & Synopsis

Videos

Fotos

Weiterführende Literatur

Aufführungstermine & Spielstätten

Veranstaltungsorte