Name: Luisa Miller
Start: 2007-10-01T00:00:00.000Z
End: 2007-10-22T00:00:00.000Z
Location: Teatro Regio

Organization

Bass

Giorgio Surian

Count Walter

Mario Luperi

Tenor

Marcelo Álvarez

Rodolfo

Francesco Demuro

Contralto

Francesca Franci

Federica

Rafał Siwek

Wurm

Baritone

Leo Nucci

Miller

Soprano

Fiorenza Cedolins

Luisa

Irina Lungu

Mezzo-soprano

Katarina Nikolic

Laura

Angelo Villari

A farmer

Conductor

Donato Renzetti

Stage director

Denis Krief

Set designer

Costume designer

Lighting designer

Chorus master

Martino Faggiani

Others

Coro del Teatro Regio di Parma

Orchestra

Orchestra del Teatro Regio di Parma

Teatro Regio di Parma

itāļu

Luisa Miller

Parma

Italy

Teatro Regio

Luisa Miller has fallen in love with a young hunter. She does not know that it is Rodolfo, the son of the landowner Count von Walter. Wurm, the Count's manager of the castle, lays claim to Luisa's hand and informs his master of Rodolfo's relationship with a village girl. However, Count von Walter wants his son to marry the rich widow Federica von Ostheim. A merry-go-round of intrigues is set in motion, at the end of which Luisa's father Miller and Count von Walter will be stunned by the bodies of their children...
In the 1840s, Verdi worked on three of Schiller's plays as models for an opera: "Giovanna d'Arco" (after "The Maid of Orleans"), "I Masnadieri" (after "The Robbers") and "Luisa Miller" ( after "Cabal and Love"); around twenty years later came the culmination of Verdi's Schiller settings with "Don Carlos". The drama "Intrigue and Love" was not to be translated literally, but rather to provide situations, passions and emotions for music that Verdi wrote "for the singers". Changes were also caused by the censorship,
The great development that Giuseppe Verdi went through in the course of his more than 50-year career as an opera composer can be followed impressively in "Luisa Miller": for example in the diverse instrumentation, the less schematic structure of the score and the striking drawing of the characters much ahead of later operas such as "Ein Masked Ball", but does not deny the creator of the previous impressive scenes of "Nabucco" or "Attila".
From a musical point of view, the development of the title heroine from the seemingly innocent coloratura technique at the beginning to the poignant depiction of the pain suffered at the end of the opera is particularly noteworthy.
The music of "Luisa Miller" is among the most beautiful that Verdi ever wrote for the opera stage and impresses with its wealth of euphony in arias, ensembles or choral scenes.

Luisa Miller Verdi

Public

Approved

Instrumentalist

Pianist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Bassist

Accordionist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Librettist

Choreographer

Dancer

Actor

Video designer

Dramaturge

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Illustrator

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Extra

Singer

Countertenor

Bass-baritone

Spoken

Child vocalist

Silent

Alto

Continuo

From the Teatro Regio di Parma, Italy: "Luisa Miller" by Giuseppe Verdi, conducted by Donato Renzetti, directed by Denis Krief. With Fiorenza Cedolins (Luisa), Giorgio Surian (Il Conte di Walter), Marcelo Álvarez (Rodolfo), Francesca Franci (Federica), Leo Nucci (Miller), Rafal Siwek (Wurm). Hailed as his first mature masterpiece, Verdi's 1849 opera "Luisa Miller" leaves the world of Bellini and Donizetti behind and opens the door to the realism of the three following operas, "Rigoletto," "La Traviata" and "Il Trovatore." And even though it has not become a repertoire work like its successors, the work's ensemble scenes and fluid dramaturgy have an electrifying impact on all Verdi lovers. The conflicts at the heart of the drama, based on Schiller's "Kabale und Liebe" (Intrigue and Love), are treated with a forward-looking psychological refinement: the conflicts between the two fathers and their children, as well as between two very different social classes.

English

Luisa Miller by Verdi, C 11 okt 2007, No (2007/2007), Režisēja Denis Krief,, Diriģents Donato Renzetti, Teatro Regio, Parma, Italy

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