Name: Lyubov k tryom apelsinam
Start: 2021-02-24T00:00:00.000Z
End: 2021-09-28T00:00:00.000Z
Location: Samara Academic Theatre of Opera and Ballet

Organization

Basso

Andrey Antonov

Il re di Coppe

Tenore

Крыжский Дмитрий

Il principe Tartaglia

Contralto

Natalia Frize

La principessa Clarice

Anatoly Nevdakh

Truffaldino

Baritono

Vasiliy Svyatkin

Leandro

Georgy Tsvetkov

Pantalone

Шагалов Георгий

Celio

Soprano

Lia Gabrielyan

Fata Morgana

Anastasya Vecherkina

Linetta

Anastasiya Lapa

Ninetta

Mezzosoprano

Natalya Dikusarova

Smeraldina

Regia

Natalia Dychenko

Direzione d'orchestra

Evgeny Khokhlov

Luci

Evgeny Ganzburg

Costumi

Natalia Zemalindinova

Scenografia

Elena Solovyova

Coreografia

Павел Самохвалов

Direzione del coro

Maxim Pozhidaev

Olga Safronova

Renat Latypov

Cook

Stepan Volkov

Farfarello

Elena Marchenko

Nicoletta

Anastasia Vechorkina

Samara Academic Theatre of Opera and Ballet

russo

Lyubov k tryom apelsinam -  (L'amore delle tre melarance)

Samara

Russia

Public

L'amore delle tre melarance

Approvato

Впервые в Самаре! Самая громкая премьера осени! Это настоящее! Это бесподобное!Любовь к трем апельсинам!opera-samara.net Сергей Прокофьев. Либретто Сергея Пр...

Любовь к трем апельсинам

Sergei Prokofiev wrote his first opera when he was only nine years old. It was a fairy tale called "The Giant", and already in it all Prokofiev appeared as an opera composer: a librettist himself, well aware of theatrical conventions, and a lover of non-trivial plot moves.

Subsequently, Prokofiev wrote eight more operas: from the one-act "Maddalena" (1913) to the epic, stretching over two evenings "War and Peace" (1943); from the mystical Fiery Angel (1928) to the ideologically correct Tale of a Real Man (1948). There are two comical ones - "Betrothal in a Monastery" (1946) and "Love for Three Oranges" (1921).

Initially, the idea of ​​an opera about three oranges came from the legendary director Vsevolod Meyerhold, who published in Petrograd in 1914-1916 a magazine about the theater called “Love for Three Oranges”. The very first issue of the magazine published a play of the same name, written by Meyerhold in collaboration with director Vladimir Solovyov and poet Konstantin Vogak and based on a comic fairy tale by the Italian playwright Carlo Gozzi, author of the famous Turandot. Meyerhold specifically gave Prokofiev to read the play with the expectation that he would write an opera.

Sergei Prokofiev did indeed write the music and composed his own libretto based on the play, but this happened already in America, commissioned by the Chicago Opera House. The opera was ready in October 1919, and the production took place in December 1921 and was a great success. In America, "Three Oranges" was performed in French.

In 1926, the first production of "Love for Three Oranges" in Russian took place at the Leningrad Opera and Ballet Theater. The performance was staged by Meyerhold's student Sergei Radlov (1892-1956) and Nikolai Foregger (1892-1939), who later became the chief director and artistic director of the Kuibyshev Opera Theater (1938-1939). But in Kuibyshev-Samara, "Three Oranges" was never staged. The present performance is the first.

The performance was included in the long list of the Russian national award "Golden Mask" -2021 (for the performance of the role of Truffaldino by Anatoly Nevdakh).

English

L'amore delle tre melarance by Prokofiev, mer 24 feb 2021, Da (2021/2021), Diretto da Natalia Dychenko,, Direttore d'orchestra Evgeny Khokhlov, Samara Academic Theatre of Opera and Ballet, Samara, Russia

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