Name: Magdalena Kožená & La Cetra
Start: 2022-12-14T00:00:00.000Z
End: 2022-12-14T00:00:00.000Z
Location: Henry Le Boeuf Zaal

Organization

Conductor

Andrea Marcon

Singer

Mezzo-soprano

Magdalena Kožená

Stage director

Ondřej Havelka

Orchestra

La Cetra Barockorchester Basel

Bozar

Magdalena Kožená & La Cetra

Brussels

Belgium

Henry Le Boeuf Zaal

Magdalena Kožená & La Cetra: Concert Various

Public

Concert

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Off-Stage Artist

On-Stage Artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Tenor

Soprano

Countertenor

Baritone

Bass

Contralto

Bass-baritone

Alto

Child vocalist

Continuo

Silent

Spoken

Magdalena Kožená can sing anything. The mezzo-soprano proves it yet again by bringing Monteverdi's The Combat of Tancredi and Clorinda to life. This work, premiered during the 1624 Venice Carnival, is included in the pre-Baroque composer's collection of Madrigals of War and Love. With stage directions for the narrator - here played by the excellent mezzo-soprano - it marks a step forward in the theatricalisation of the madrigal and is therefore avant-garde, as are the other richly inventive vocal works that join it in this programme, such as the formidable Sequenza III by Luciano Berio, and Arianna has a Problem, based on Monteverdi's Lamento d'Arianna, which the Czech composer Marko Ivanović dedicated to his compatriot in 2016

English

Magdalena Kožená can sing anything. The mezzo-soprano proves it yet again by bringing Monteverdi's The Combat of Tancredi and Clorinda to life. This work, premiered during the 1624 Venice Carnival, is included in the pre-Baroque composer's collection of Madrigals of War and Love. With stage directions for the narrator - here played by the excellent mezzo-soprano - it marks a step forward in the theatricalisation of the madrigal and is therefore avant-garde, as are the other richly inventive vocal works that join it in this programme, such as the formidable Sequenza III by Luciano Berio, and Arianna has a Problem, based on Monteverdi's Lamento d'Arianna, which the Czech composer Marko Ivanović dedicated to his compatriot in 2016.

italiano

Magdalena Kožená & La Cetra by Various, tre 14 grd 2022, Nuo (2022/2022), Režisierius Ondřej Havelka,, Dirigentas Andrea Marcon, Henry Le Boeuf Zaal, Brussels, Belgium

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