Name: Magnificat BWV 243
Start: 2016-05-31T00:00:00.000Z
End: 2016-05-31T00:00:00.000Z
Location: Basilique

Organization

Festival de Saint-Denis

Conductor

Raphaël Pichon

Soprano

Dorothee Mields

Sopran

Contralto

Sophie Harmsen

Damien Guillon

Tenor

Nick Pritchard

Bass

Christian Immler

Others

Ensemble Pygmalion

Magnificat BWV 243 -  (Magnificat in D Major BWV 243)

Saint-Denis-en-Val

France

Basilique

Magnificat BWV 243 Bach,JS

Public

Magnificat in D Major BWV 243

Approved

Instrumentalist

Pianist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Bassist

Accordionist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Stage director

Librettist

Set designer

Costume designer

Choreographer

Lighting designer

Dancer

Actor

Chorus master

Video designer

Dramaturge

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Orchestra

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Illustrator

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Extra

Singer

Mezzo-soprano

Baritone

Bass-baritone

Countertenor

Spoken

Child vocalist

Silent

Alto

Continuo

Three years ago, Pygmalion and his young chef Raphaël
Pichon made a very remarkable debut at the Festival
in Bach's St. John Passion. The path
continued in 2014 with the pre-classical style, the rare Requiem by Michael Haydn, which inspired Mozart, before exalting the latter in 2015 in the extraordinary Mass in C.
Musical filiation has always been the common thread of
Pygmalion. This new proposal in 2016 is at the
once one of the ensemble’s first forays into
Germanic romanticism with one of the most beautiful
Mendelssohn's choral and religious pages, and a return to the sources, to the very heart of the repertoire that has
made their success, Bach, and the most popular of his works
vocals: the Magnifi cat.
Mendelssohn was deeply inspired by Bach and was
the immense rediscoverer in the 19th century. Raphael Pichon is
today one of its most brilliant defenders.

English

Il y a trois ans, Pygmalion et son jeune chef Raphaël
Pichon faisaient des débuts très remarqués au Festival
dans la Passion selon Saint-Jean de Bach. Le chemin se
poursuivit en 2014 avec le style pré-classique, le rare Requiem de Michael Haydn, qui inspira Mozart, avant d’exalter ce dernier en 2015 dans l’extraordinaire Messe en ut.
La fi liation musicale a toujours été le fi l conducteur de
Pygmalion. Cette nouvelle proposition en 2016 est à la
fois l’une des premières incursions de l’ensemble dans
le romantisme germanique avec l’une des plus belles
pages chorales et religieuses de Mendelssohn, et un retour aux sources, au cœur même du répertoire qui a
fait leur succès, Bach, et la plus populaire de ses œuvres
vocales : le Magnifi cat.
Mendelssohn s’inspira profondément de Bach et en fut
l’immense redécouvreur au 19e siècle. Raphaël Pichon est
aujourd’hui l’un de ses plus brillants défenseurs.

français

Magnificat in D Major BWV 243 by Bach, J. S., Od (2016/2016), Dirigent Raphaël Pichon, Basilique, Saint-Denis-en-Val, France

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