Name: Magnificat BWV 243
Start: 2016-05-31T00:00:00.000Z
End: 2016-05-31T00:00:00.000Z
Location: Basilique

Organization

Festival de Saint-Denis

Conductor

Raphaël Pichon

Singer

Soprano

Dorothee Mields

Sopran

Contralto

Sophie Harmsen

Damien Guillon

Tenor

Nick Pritchard

Bass

Christian Immler

Others

Ensemble Pygmalion

Magnificat BWV 243 -  (Magnificat in D Major BWV 243)

Saint-Denis-en-Val

France

Basilique

Magnificat BWV 243 Bach,JS

Public

Magnificat in D Major BWV 243

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Bass-baritone

Countertenor

Mezzo-soprano

Baritone

Alto

Child vocalist

Continuo

Silent

Spoken

Three years ago, Pygmalion and his young chef Raphaël
Pichon made a very remarkable debut at the Festival
in Bach's St. John Passion. The path
continued in 2014 with the pre-classical style, the rare Requiem by Michael Haydn, which inspired Mozart, before exalting the latter in 2015 in the extraordinary Mass in C.
Musical filiation has always been the common thread of
Pygmalion. This new proposal in 2016 is at the
once one of the ensemble’s first forays into
Germanic romanticism with one of the most beautiful
Mendelssohn's choral and religious pages, and a return to the sources, to the very heart of the repertoire that has
made their success, Bach, and the most popular of his works
vocals: the Magnifi cat.
Mendelssohn was deeply inspired by Bach and was
the immense rediscoverer in the 19th century. Raphael Pichon is
today one of its most brilliant defenders.

English

Il y a trois ans, Pygmalion et son jeune chef Raphaël
Pichon faisaient des débuts très remarqués au Festival
dans la Passion selon Saint-Jean de Bach. Le chemin se
poursuivit en 2014 avec le style pré-classique, le rare Requiem de Michael Haydn, qui inspira Mozart, avant d’exalter ce dernier en 2015 dans l’extraordinaire Messe en ut.
La fi liation musicale a toujours été le fi l conducteur de
Pygmalion. Cette nouvelle proposition en 2016 est à la
fois l’une des premières incursions de l’ensemble dans
le romantisme germanique avec l’une des plus belles
pages chorales et religieuses de Mendelssohn, et un retour aux sources, au cœur même du répertoire qui a
fait leur succès, Bach, et la plus populaire de ses œuvres
vocales : le Magnifi cat.
Mendelssohn s’inspira profondément de Bach et en fut
l’immense redécouvreur au 19e siècle. Raphaël Pichon est
aujourd’hui l’un de ses plus brillants défenseurs.

français

Magnificat in D Major BWV 243 by Bach, J. S., Od (2016/2016), Dirigent Raphaël Pichon, Basilique, Saint-Denis-en-Val, France

Krediti za predstavo (Zasedba in producentska ekipa )

Igralska zasedba

Ansambel

Program, O in Sinopsis

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Dodatno branje

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