Name: Maria Callas in Concert
Start: 1962-03-16T00:00:00.000Z
End: 1962-03-16T00:00:00.000Z
Location: Laeiszhalle

Organization

Direzione d'orchestra

Georges Prêtre

Cantante

Maria Callas

Soloist

Orchestra

NDR Sinfonieorchester

Symphoniker Hamburg

Maria Callas in Concert

Amburgo

Germania

Laeiszhalle

Public

Opera Gala

Approvato

Accordionist

Strumento

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianista

Recorder Player

Saxophonist

Suonatore di flauto

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinista

Violino Piccolo Player

Violista

Altro

Ballerino/a

Chorus Director

Composizione

Coreografia

Coro

Costumi

Direzione del coro

Docente di canto

Drammaturgia

Emittente radiotelevisiva

Extra

Fotografia

Illustrator

Insegnante

Libretto

Luci

Maestro accompagnatore

Orchestra Operations

Parrucco

Poeta

Produzione esecutiva

Recitazione

Regia

Scenografia

Scrittura

Scrittura ed esecuzione

Sound designer

Stage Manager

Traduzione

Trucco

Video

Wig & Makeup Designer

Contralto

Tenore

Basso

Baritono

Basso-baritono

Controtenore

Soprano

Mezzosoprano

Alto

Continuo

Mimi

Narrazione

Voce bianca

Callas’s only operatic appearances in Germany were Lucia di Lammermoor, with Karajan conducting, in Berlin in 1955, and La sonnambula in Cologne in 1957, but in both 1959 and 1962 she made concert tours of the country, visiting Hamburg twice. The video recordings of her concerts in the city showcase her in a dazzling variety of Italian and French repertoire for both soprano and mezzo-soprano: three contrasting Verdi roles (Lady Macbeth, Elvira from Ernani and Elisabetta from Don Carlo); Imogene from Bellini’s Il pirata; Giulia from La vestale; Chimène from Massenet’s Le Cid; Verdi’s most explosively dramatic aria for mezzo-soprano – Eboli’s ‘On don fatale’ from Don Carlo; Carmen’s seductive Habanera and Seguédille and, from Rossini’s La Cenerentola, Angelina’s final rondo, which magically combines modest charm and sparkling virtuosity.

Maria Callas Live: Bizet's Carmen Habanera, Hamburg 1962

Maria Callas in Concert by Various, ven 16 mar 1962, Da (1962/1962), Direttore d'orchestra Georges Prêtre, Laeiszhalle, Amburgo, Germania

Crediti di rappresentazione (Cast e team di produzione )

Cast

Ensemble

Programma, informazioni e sinossi

Video

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Date e sedi delle rappresentazioni

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