Name: Masaaki Suzuki Bach Collegium Japan - NOSPR
Start: 2020-03-06T00:00:00.000Z
End: 2020-03-06T00:00:00.000Z
Location: NOSPR

Admin

Polish National Radio Symphony Orchestra

Singer

Hana Blažíková

soprano

Damien Guillon

counter-tenor

James Gilchrist

tenor

Zachary Wilder

Christian Immler

bass

Conductor

Masaaki Suzuki

Orchestra

Bach Collegium Japan

Masaaki Suzuki / Bach Collegium Japan - NOSPR

Katowice

Poland

NOSPR

Concert Hall

Public

St John Passion

Larissa Andrea Pereira

Approved

Bass

Instrumentalist

Pianist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Accordionist

Bassist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Stage director

Librettist

Set designer

Costume designer

Choreographer

Lighting designer

Dancer

Actor

Chorus master

Video designer

Dramaturge

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Illustrator

Extra

Mezzo-soprano

Bass-baritone

Tenor

Countertenor

Contralto

Soprano

Baritone

Spoken

Child vocalist

Silent

Alto

Continuo

Two of Bach’s passion works have been preserved in their entirety; both come from the later years of his composing career, after he was appointed Cantor of the St. Thomas Church in Leipzig in 1723. Working on the St John Passion, Bach expected it to be performed in his home church, but it was decided that the first performance would take place in the St. Nicholas Church, in accordance with the Leipzig tradition. This misunderstanding was revealed only four days before the ceremonial service. The cantor had to summon musicians from both churches to form a large vocal-instrumental ensemble at very short notice. Despite these complications, the work was performed in the original version on 7 April 1724. The libretto is based on the Gospel of John, supplemented by a compilation of various poems. Because of the inconsistencies in the text, Bach modified the work several times. Perhaps this is why the St John Passion has been undeservedly considered incomplete or abandoned half way through. In fact, it can be interpreted in terms of an irresistible impulse to create and as a result of an experiment: a search for new means of expression. The St John Passion is not a chaotic assembly of incompatible narratives; it is a brilliant omen of two later works, of which only one has survived in its entirety to the present day: the St Matthew Passion

English

Masaaki Suzuki / Bach Collegium Japan - NOSPR by Bach, J. S., Od (2020/2020), Dirigent Masaaki Suzuki, NOSPR, Katowice, Poland

Uznanie za predstavenie (Obsadenie & Tím )

Obsadenie

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Program, informácie a súhrn

Fotografie

Ďalšie čítanie

Termíny a miesta vystúpení

Miesto konania