Name: Mass in C major, K.317 ('Coronation Mass')
Start: 2024-08-18T00:00:00.000Z
End: 2024-08-18T00:00:00.000Z
Location: Federation Square

Organization

Admin

Royal Melbourne Philharmonic

Conductor

Andrew Wailes

Orchestra

Others

Mass in C major, K.317  ("Coronation Mass") -  (Coronation Mass)

Melbourne

Australia

Federation Square

Public

Coronation Mass

Church Sonata in C Major, KV 329

Matias Vergara Moyano

Approved

Bass

Instrumentalist

Pianist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Bassist

Accordionist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Stage director

Librettist

Set designer

Costume designer

Choreographer

Lighting designer

Dancer

Actor

Chorus master

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Dramaturge

Translator

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Executive producer

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Stage Manager

Choir

Poet

Vocal coach

Teacher

Photographer

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Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Extra

Countertenor

Singer

Baritone

Bass-baritone

Tenor

Soprano

Mezzo-soprano

Contralto

Spoken

Child vocalist

Silent

Alto

Continuo

Mozart’s Coronation Mass
The Edge, Federation Square

Hear some of the nation’s finest young singers battle it out in the final of Australia’s most prestigious oratorio soloists award, accompanied by the brilliant pianist RMP Principal Accompanist Stefan Cassomenos.

This evening will also feature a full-scale performance of one of Wolfgang Amadeus Mozart’s most beloved sacred works – the majestic

Krönungsmesse (Coronation Mass) in C Major, KV. 317 and the

Church Sonata No. 16 in C major KV 329 (317a) 

Mozart wrote his Mass in C, K. 317, popularly known as the Coronation Mass, in 1779, during the time that he was court organist and composer to the Archbishop of Salzburg. It is no doubt the best known and, for many, the finest of the masses that he wrote for Salzburg. Although there is no definite record of a performance, its full orchestration and bright tone suggest that it was probably performed in the Salzburg cathedral at Easter of 1779. It is thought also to have been performed years later during celebrations for the coronation of the Holy Roman Emperor Leopold II and perhaps also for that of his successor, Francis II.

Given its splendid orchestration and its ceremonial character, this mass appears to be a solemn, or “high” mass. It is however also a “short mass,” the kind of condensed work that Mozart’s employer required even for great or solemn occasions. As Mozart described it in a letter, the music plus the spoken portions of the service “must not last longer than three quarters of an hour. This applies even to the most Solemn Mass said by the Archbishop himself. So you see that a special study is required for this kind of composition. At the same time, the mass must have all the instruments — trumpets, drums and so forth.”

Despite the archbishop’s time limitations, it appears that Mozart may well have inserted a brief church sonata between movements. One of his seventeen single-movement church sonatas has been associated with his Coronation Mass, since it was written about the same time, is in the same key, and has the same orchestration, although the organ is obbligato. It has the largest orchestration of any of the church sonatas. When Alfred Einstein revised Koechel’s numbering of Mozart’s works, he altered the number of this sonata from K. 329 to K. 317a to reflect its connection with this mass, which is K. 317. The normal place in the church service for such a sonata would have been between the Gloria and the Credo, as the celebrant moves from one side of the choir, where he has read the epistle, to the other side, where he reads the gospel. It seems appropriate, therefore, to insert this sonata between the Gloria and Credo in these performances  of Mozart’s Coronation Mass.

Featuring :

Royal Melbourne Philharmonic Choir and Orchestra

Outstanding soloists TBA

Conducted by Andrew Wailes

 

3pm, Matinee performance (concert only)

7pm, Evening Gala (includes concert at the Final of the 2024 RMP Aria, as well as a champagne reception)

English

Coronation Mass by Mozart, Church Sonata in C Major, KV 329 by Mozart, sø. 18 aug. 2024, Fra (2024/2024), Dirigent Andrew Wailes, Federation Square, Melbourne, Australia

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