Name: Mendelssohn and Brahms with the Berlin Philharmonic
Start: 2022-03-17T00:00:00.000Z
End: 2022-03-19T00:00:00.000Z
Location: Berliner Philharmonie

Organization

Conductor

John Eliot Gardiner

Soprano

Lucy Crowe

Mezzo-soprano

Ann Hallenberg

Tenor

Werner Güra

Orchestra

Berliner Philharmoniker

Others

Monteverdi Choir

Orchestre Révolutionnaire et Romantique

Monteverdi Choir & Orchestras

Mendelssohn and Brahms with the Berlin Philharmonic

Berlin

Germany

Berliner Philharmonie

Großer Saal

Mendelssohn and Brahms with the Berlin Philharmonic: Concert Various

Public

Concert

Approved

Bass

Instrumentalist

Pianist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Bassist

Accordionist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Stage director

Librettist

Set designer

Costume designer

Choreographer

Lighting designer

Dancer

Actor

Chorus master

Video designer

Dramaturge

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Illustrator

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Extra

Baritone

Singer

Bass-baritone

Countertenor

Contralto

Spoken

Child vocalist

Silent

Alto

Continuo

Brahms composed the Schicksalslied (Song of Fate) between 1868 and 1871 - a period of prolific composing for chorus and orchestra, which also saw the completion of Rinaldo, the Alto Rhapsody, and the Triumphlied. It is a choral setting of Friedrich Hölderlin’s poem ‘Hyperions Schicksalslied’, which pits the blissful serenity of the gods above against the hurlyburly of human life below. Throughout the work Brahms creates subtle effects of orchestral colouration to complement the chorus and to amplify the text, but ends with a purely orchestral coda - ‘I even say something that the poet does not say’, Brahms remarked.

Composed during his time in Leipzig, Mendelssohn’s Second Symphony ‘Lobgesang’ (‘Hymn of Praise’) takes the hybrid form of a Symphony-Cantata, blending secular and sacred styles and taking the audience on a spiritual journey to enlightenment. Melodious choruses, duets and arias trace a path leading from darkness into a radiant vision of a better world.

English

Mendelssohn and Brahms with the Berlin Philharmonic by Various, pe 18 maalis 2022, Alkaen (2022/2022), Musiikinjohto John Eliot Gardiner, Berliner Philharmonie, Berlin, Germany

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