Name: Mikhail Jurowski
Start: 2018-06-07T00:00:00.000Z
End: 2018-06-07T00:00:00.000Z
Location: Teatro del Maggio Musicale Fiorentino

Admin

Fondazione del Teatro del Maggio Musicale Fiorentino

Conductor

Mikhail Jurowski

Orchestra

Orchestra del Maggio Musicale Fiorentino

Singer

Soprano

Evelina Dobračeva

Bass-baritone

Alexey Tikhomirov

Bass

Florence

Italy

Teatro del Maggio Musicale Fiorentino

Mikhail Jurowski: Symphony No. 1 in D Major, op. 25 ("The Classical") Prokofiev (+2 More)

Public

Concert

Oratorio / Orchestral

Symphony No. 1 in D Major, op. 25 ("The Classical")

Quattro pezzi di Girolamo Frescobaldi

Symphony No. 14, Op. 135

Ayyappa swamy y

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Countertenor

Mezzo-soprano

Baritone

Contralto

Tenor

Alto

Child vocalist

Continuo

Silent

Spoken

La Sinfonia n. 14, la penultima composta da Šostakovič, si apre con il De Profundis su una poesia dell'artista spagnolo Federico García Lorca, seguito da Malagueña dello stesso autore, mentre Lorelei di Guillaume Apollinaire introduce altri cinque testi musicati con toni ora buffi, ora strazianti: si passa dall'assolo di violoncello che introduce Il suicida ai toni scherzosi e irriverenti de La risposta dei cosacchi dello Zaporož'e al Sultano di Costantinopoli, un topos della cultura russa, per continuare con O, Delvig, Delvig di Wilhelm Küchelbecker, terminando con La morte del poeta e Conclusione di Rainer Maria Rilke.

italiano

Symphony no. 14, the penultimate one composed by Šostakovic, opens with  De Profundis  on a poem by the Spanish artist Federico García Lorca, followed by  Malagueña  by the same author, while  Lorelei  by Guillaume Apollinaire introduces five other texts set to music in sometimes funny, sometimes heartbreaking tones: we move from the cello solo that introduces  The Suicide  to the playful and irreverent tones of  The response of the Zaporozhye Cossacks to the Sultan of Constantinople , a topos of Russian culture, to continue with  O, Delvig, Delvig  by Wilhelm Küchelbecker, ending with  The Death of the Poet  and  Conclusion  by Rainer Maria Rilke.

English

Mikhail Jurowski by Prokofiev, Ghedini, Shostakovich, Od (2018/2018), Dirigent Mikhail Jurowski, Teatro del Maggio Musicale Fiorentino, Florence, Italy

Uznanie za predstavenie (Obsadenie & Tím )

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