Name: Mozart Gala
Start: 2022-04-01T00:00:00.000Z
End: 2022-04-01T00:00:00.000Z
Location: Konzertsaal Solothurn

Organization

Classionata Solothurn

Singer

Nicola Proksch

Soprano

Elisabeth Flechl

Iurie Ciobanu

Tenor

Paul Armin Edelmann

Baritone

Conductor

Andreas Spörri

Orchestra

Orchester der Volksoper Wien

Mozart Gala

Solothurn

Switzerland

Konzertsaal Solothurn

Public

Concert

Approved

Bass

Instrumentalist

Pianist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

Oboist

hornist

Bassoonist

Trumpeter

Contrabassist

Harper

Trombonist

Saxophonist

Harpsichordist

Accordionist

Bassist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Stage director

Librettist

Set designer

Costume designer

Choreographer

Lighting designer

Dancer

Actor

Chorus master

Video designer

Dramaturge

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Illustrator

Extra

Countertenor

Bass-baritone

Contralto

Mezzo-soprano

Spoken

Child vocalist

Silent

Alto

Continuo

Wolfgang Amadeus Mozart is unique in the history of opera. Like other opera composers, he not only dedicated himself exclusively to this genre, but also excelled in all musical genres.

Mozart knew how to use the expressiveness of the singing voice to shape the characters of the tragic and comic heroes of traditional opera.

In contrast to instrumental music, operas were only created as commissioned work. In Salzburg there was neither theater in the strict sense nor opera. Mozart earned his living as a court organist and with commissioned work.

In 1781 he left Salzburg for good and with the singspiel “The Abduction from the Seraglio” Mozart successfully entered the Viennese opera scene.

In 1784, the meeting with the Italian librettist Lorenzo da Ponte was of crucial importance. From then on, Mozart was free to choose the subject of his operas. Da Ponte had a job at the Viennese court and worked closely with Mozart between 1784 and 1789.

English

Mozart Gala by Mozart, pen 01 bal 2022, Nuo (2022/2022), Dirigentas Andreas Spörri, Konzertsaal Solothurn, Solothurn, Switzerland

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