Name: “Music for 18 Musicians”
Start: 2022-06-08T00:00:00.000Z
End: 2022-06-08T00:00:00.000Z
Location: Zaryadye Hall

Organization

Pianist

Peter Aidu

Mikhail Dubov

Михаил Турпанов

Polina Osetinskaya

Singer

Soprano

Maria Grilikhes

Anna Shaverdyan

Kaleria Kovalenko

Alyona Parfenova

Orchestra

Questa Musica

Zaryadye Hall

“Music for 18 Musicians”

Moscow

Russia

Grand Hall

Public

Concert

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Choreographer

Chorus Director

Chorus master

Composer

Conductor

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Tenor

Mezzo-soprano

Contralto

Bass-baritone

Baritone

Countertenor

Bass

Alto

Child vocalist

Continuo

Silent

Spoken

“Music for 18 Musicians”: Concert Various

One of the iconic oeuvres of the 20th century, “Music for 18 Musicians” written by Steve Reich in 1976, is truly a genre defining piece for minimalism. Bali music culture, and Gamelan in particular, were the inspirations for Reich’s groundbreaking idea. The composer himself confesses, that it indeed was the starting point, but no more. The term “Gamelan” is applied to either traditional Balinese music genre, and a certain type of percussion instruments orchestra. According to Reich, the composers intention was not to recreate the specific sound of Gamelan orchestra, but to grasp the inner structure of the music, and, in a broader sense, to understand a way how music is organized outside of the West European tradition.

“The beauty of … pulsing added-note harmonies and the sustained power and precision of the performance the music's salient features; and instead of the sterile, electronic sound usually associated with minimalism, the music's warm resonance was a welcome change ." (AllMusic)
The piece is based on a cycle of eleven chords. A small piece of music is based on each chord, and the piece returns to the original cycle at the end. Another important factor in the piece is the use of human breath, used in the clarinets and voices, which help structure and bring a pulse to the piece.

“For me, Steve Reich is a hypnosis, a meditation”, musician Andrey Volosovsky, a participant of the concert, says. “In this state, a person deep in his thoughts, thinking, listening, sleeping, can be much more susceptible to the new impulses of this music, to its shifts. Listening to the pieces, you kind of peek into another worlds, while your senses get heightened. So, music of Steve Reich is the simplicity of genius, a striking example of that kind”.

English

“Music for 18 Musicians” by Various, De (2022/2022), Zaryadye Hall, Moscow, Russia

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