Name: NDR ElbPhilharmonie - B6
Start: 2024-02-13T00:00:00.000Z
End: 2024-02-13T00:00:00.000Z
Location: Auditorio Nacional de Musica

Organization

Admin

Ibermúsica

Conductor

Alan Gilbert

Orchestra

NDR Sinfonieorchester

Instrumentalist

Pianist

Igor Levit

Piano

Auditorio Nacional de Música

NDR ElbPhilharmonie - B6

Madrid

Spain

Auditorio Nacional de Musica

NDR ElbPhilharmonie - B6: Piano Concerto No. 3 in E major, Sz. 119, BB 127 Bartók (+1 More)

Public

Piano Concerto No. 3 in E major, BB 127

Symphony No. 1 in C Minor, op. 68

Paul Koneri

Approved

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Baroque Oboist

Baroque Trumpetist

Bassist

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Cellist

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Flutist

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Harper

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Musette de cour Player

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Contralto

Bass

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Mezzo-soprano

Tenor

Soprano

Baritone

Alto

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Continuo

Silent

Spoken

NDR ElbPhilharmonie - B6: Piano Concerto No. 3, Sz. 119 Bartók (+1 More)

Official music video of Igor Levit performing "Liebestraum No. 3 in A-Flat Major, S. 541/3
" by Franz Liszt.
Listen here: https://igorlevit.lnk.to/tristanAY 
Subscribe to Igor Levit’s official YouTube channel here:   

 / @igorlevit2512    
 
The official music video of Igor Levit playing “Liebestraum No. 3 in A-Flat Major, S. 541/3
,” from his upcoming album “Tristan,” which will be released by Sony Classical on September 9.

"Liebestraum was originally a song Liszt wrote, which he later transcribed for piano solo. The song gives you, almost in a very simplistic way — although I think the piece is extraordinary — but the message is very clear if you read the lyrics, that this is a paranoid piece of pain. Like someone advising you better love as long as your beloved is there because the day will come when your beloved is gone and you will regret and you will suffer, and then it‘s too late. It shows you it‘s not the fireplace kitsch music you hear all the time." — Igor Levit

“Tristan” is a double album in which the pianist explores nocturnal themes of love and death, fear, ecstasy, loneliness & redemption in the music of Richard Wagner, Franz Liszt, Gustav Mahler & Hans Werner Henze. It includes Levit’s first concerto recording with the Gewandhausorchester Leipzig under Franz Welser-Möst with the album’s central work Henze’s “Tristan” for piano, electronic tapes and orchestra.  

The five works on the album span from 1837 to 1973 and represent very different genres. Only “Harmonies du Soir” was originally conceived for piano solo, but Igor Levit’s exploration of borderline experiences in our lives — death in Life (2018), spirituality in Encounter (2020) and now, with Tristan, the link between love, death and our need for redemption — means that it is not just masterpieces for the piano that are central to his concern but, above all, compositions in which certain thematic associations find their most personal expression.

Here Levit’s own thoughts revolve more around the experience of night and of the nocturnal as a dark alternative to our conscious actions by day: “Night has so many faces. It can signal a place of refuge or the loss of control, it signifies love and death, and it is the place where we feel our deepest, most paranoid fears.” 

Video Director: Boris Fromageot

Brahms tardó mucho en acercarse al género sinfonía y manifestó no pocas dudas antes de hacerlo. Había una convicción de que se trataba del heredero de Beethoven pero la inmensa fama de las sinfonías de éste le hacía temer el acercarse a la forma (…) Desde el principio, la sinfonía fue relacionada con Beethoven y es cierto que usa derivaciones de un tema de la Novena y un ritmo de la Quinta del músico de Bonn pero Brahms las entendía como un homenaje y por eso cuando se lo decían se enfurecía pues pensaba que le acusaban de plagio. Es célebre su frase de ‘Eso lo ve cualquier asno’ cuando se referían a ello en su presencia. El parentesco con Beethoven es cierto y Hans von Bülow la acostumbraba a llamar “La décima de Beethoven”. Pero también es una sinfonía plenamente personal, con un lenguaje que va en una dirección más brahmsiana y un color de orquestación que es absolutamente inconfundible” (T. Marco)

La NDR ElbPhilharmonie, una de las formaciones más destacadas de Alemania, ofrecerá la primera sinfonía de Brahms el martes 13 de febrero con la dirección del maestro Alan Gilbert, su titular desde el año 2019. En esta nueva visita a Ibermúsica contarán con un solista invitado de lujo: el pianista Igor Levit, que debuta en Ibermúsica y a quien acompañarán en una de las últimas obras de Béla Bartók, su Concierto para piano núm. 3, dedicado a su esposa Ditta y cuyos compases finales fueron completados por su amigo Tibor Serly.

español

NDR ElbPhilharmonie - B6 by Bartók, Brahms, ti 13 helmi 2024, Alkaen (2024/2024), Musiikinjohto Alan Gilbert, Auditorio Nacional de Musica, Madrid, Spain

Esityksen ansiot (Näyttelijät & Tuotantotiimi )

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