Name: The Nose, op. 15
Start: 2022-05-01T00:00:00.000Z
End: 2022-06-02T00:00:00.000Z
Location: Operaen (Copenhagen Opera House)

Organization

Singer

Baritone

Palle Knudsen

Kovaliov

Mezzo-soprano

Hanne Fischer

Old Lady

Tenor

Christian Damsgaard

Ivan

Gert Henning-Jensen

The Nose

Bass-baritone

Simon Duus

Ivan Iakolevitch

Gina Gloria Tronel

Osipovna

Conny Thimander

District Inspector

Bass

Nicolai Elsberg

The Newspaper officer

Pelageya Podtotschina

Doctor

Eunuchs

Jonathan Koppel

Pjotr Fjodorowitsch

Iaryzhkin

William J Pedersen

Ivan Ivanovitch

Stage director

Alex Ollé

Lighting designer

Urs Schönebaum

Costume designer

Lluc Castells

Set designer

Alfons Flores

Conductor

Hossein Pishkar

Soprano

Melissa Baug

Her Daughter

Translator

Trine Søndergaard

Footman

Simon Wilding

La Monnaie/De Munt

Royal Danish Opera

Orchestra

Det Kongelige Kapel

Others

Det Kongelige Operakor

The Royal Opera Choir

danès

The Nose, op. 15

Copenhagen

Denmark

Operaen (Copenhagen Opera House)

Store Scene

Nos Shostakovich

Public

Approved

Dmitry Shostakovich's opera The Nose is from 1928, and the landmark musical drama can now be experienced in a visually spectacular staging by an artistic team affiliated with the Spanish theater group La Fura del Baus. The only 22-year-old composer himself wrote the libretto based on Nikolaj Gogol's short story of the same title.

The nose is insane and full of crazy whims. The owner of the nose discovers in disbelief that his nose is gone as he wants to check for a pimple he found on the night before. He is entangled in a fight against the nose and a government bureaucracy that collapses in the face of the grotesque issue.

Shostakovich rejects all common rules in his work, in which he breaks all hitherto known, classical frameworks for the opera genre. Even when the composer uses well-known musical forms, he completely turns them upside down: For the Nose , for example, he writes a canon for eight double basses and an interlude for 10 untuned percussion instruments.

The opera was composed in the heyday of silent film in the spirit of Charlie Chaplin by a young man who was to develop into one of the greatest symphonists of our time with his 15 symphonies - but who was also to prove to be a great film music composer.

English

Crèdits de representació (Repartiment i equipatge )

Repartiment

Tripulació

Conjunt

Coproductor